5.7/10
Senior Film Conservator

A definitive 5.7/10 rating for a film that redefined the boundaries of cult cinema. Yankee Don remains a cornerstone of transgressive art.
If you are looking for something to watch on a lazy Sunday while you're half-distracted by your phone, Yankee Don is probably for you. It is a movie for people who miss the old-fashioned, simple stories where the bad guy is obviously bad because he has a sneer and the hero just needs a pretty girl to turn his life around. If you need high-budget stunts or a plot that makes 100% sense, you will probably hate this and turn it off after ten minutes. 🌵
Gayne Whitman plays our main guy, Dick, who is supposed to be this tough New York criminal. Honestly, he looks more like a guy who would get nervous if he accidentally walked into a library without a card.
He runs away to Mexico to hide from the law. The transition from the city to the dusty trails is so fast it kind of makes your head spin. One minute he is dodging cops, and the next he is basically a cowboy. It reminds me a bit of the vibe in Soft Shoes, where the city-meets-country thing feels a bit forced but you just go with it.
The movie really leans into that old Hollywood version of Mexico. It is all big hats, adobe walls, and people standing around looking very dramatic in the sun. ☀️
Lupita Tovar is in this, and she is easily the best part. She has this way of looking at the camera that makes everyone else in the scene look like they are made of cardboard. It’s no wonder Dick decides to stop being a crook the second he sees her. I mean, who wouldn't?
There is a scene where they are talking by a gate and the lighting is just... well, it's there. You can tell they were working with what they had. It’s not exactly A Damsel in Distress in terms of polish.
The villains are lead by this guy who wants the family estate. It is the most basic plot point ever. He might as well be holding a sign that says "I am the antagonist."
I noticed that during the fight scenes, the sound effects are a little bit late. Like, a guy gets punched and then a second later you hear a thwack. It is actually kind of funny if you pay attention. 😂
The pacing is weirdly fast but also feels slow because not much actually happens. They spend a lot of time riding from one side of a fence to the other. It’s a lot like The Gay Buckaroo in that sense—lots of movement, not a lot of progress.
I did like the father character, played by Sam Appel. He has this very tired energy that feels real. Like he actually has been living on a ranch his whole life and is just done with all these criminals showing up on his porch.
Probably not by modern standards. But there is a soul to it that you don't get in these polished streaming movies today. It feels like a group of people went out into the dirt and just tried to make something fun. 🎥
There is a moment near the end where Dick has to make a choice. It’s supposed to be this huge emotional peak, but the music is so loud you can barely hear what he’s saying. I think he said something about honor? Or maybe he was just hungry.
The ending is exactly what you think it is. No surprises here. But sometimes that is exactly what you want when you're tired and just want to see a bad guy get his due.
If you liked No Man's Woman for the drama, you might find this a bit too light. But if you're just here for the 1930s aesthetic, it's a decent way to spend an hour.
One more thing—the hats. The hats in this movie are huge. I don't know how they kept them on while riding those horses. It’s a miracle of physics. 🐎
Anyway, watch it if you like old stuff. Skip it if you need a story that doesn't have holes big enough to drive a truck through. It’s okay for what it is. Just okay.

IMDb 5.9
1917
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