The Definitive Guide Deeply Connected to Carl XII:s kurir: Cult Guide

Dir: Beaumont Smith

A cinematic adaptation of some of the stories of celebrated Australian author and bush poet Henry Lawson.

Dir: Martin Zickel

A visual fragment from the archive: The thematic resonance of Die Prinzessin vom Nil perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Hanns Kobe

John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffinmaker and his mother where she will be secluded until the birth of the child. Torgus, a golemesque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return . . .

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Torgus perfectly mirrors the editorial trajectory of our deep dive.

The dramatic story of Lady Hamilton's rise and fall in European society during the 1700s and early 1800s, including the romantic love story with Lord Nelson.

Dir: Jaroslav Siakel

The story of the Slovak highwayman and folk hero Juraj Janosik.

Dir: Franklin B. Coates

A visual fragment from the archive: The thematic resonance of Lady Hamilton perfectly mirrors the editorial trajectory of our deep dive.

Shows James' joining of the Quantrill's raiders, a guerrilla force which fought against union sympathizers during the Civil War. James takes allegiance to the Black Flag, the raiders' banner. After the war he receives kind treatment from a judge concerning his acts of crime and later meets and falls in love with Zee, with whom he wishes to live a peaceful life.

Dir: Rolf Raffé

Short, silent movie only about half a minutes long about the last moment of Empress Elisabeth of Austria (1837 - 1898). It was the first film about Elisabeth, directed by her niece Marie Larisch.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of Jánosík perfectly mirrors the editorial trajectory of our deep dive.

1860 ushers in the era of iron ships, Richard Sibley, a builder of wooden ships, stubbornly resists the change, which leads him to forbid the marriage of his daughter Rose to John Rhead, a proponent of the new method. This injustice outrages John's sister Gertrude so much that she breaks off her engagement to Sibley's son Sam. Meanwhile, John and Rose elope. Twenty-five years later, John has grown rich and conservative and has a daughter named Emily. Gertrude, still single, tries to help her niece Emily marry the man she loves, Arthur Preece, rather than her father's choice, old Lord Monkhurst, but Gertrude fails. Twenty-five more years pass, and John again attempts to interfere by opposing the marriage of his granddaughter Muriel to Richard Sibley, Jr., an engineer. This time, however, Muriel's independence wins and she marries the man of her choice, and after the death of Monkhurst, Emily and Preece are finally together.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Kinka Kimura

About the tragic love of a young man from a coastal village for a girl from a small island.