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Dir: Albert Capellani

Paul Capellani, the famous star, plays the part of "Karloo." which gives him a chance to show his remarkable ability. This is a picturization of the play "Patrie," written by Victorien Sardou, the famous French dramatist. The author was noted for being a master of stage effect, and the film follows closely the stage production. "Pro Patria" deals with the efforts of the people of the Netherlands to throw off the iron rule of Spain, and the plots and intrigues which were perpetrated at that time. It was staged in Louvain, Belgium, that beautiful city which has since been ruined beyond redemption by German shells. The costuming, arms, customs and properties are absolutely accurate, and the whole production is most lavish. The acting is truly great and the entire six reels grip from start to finish.

Dir: Albert Capellani

Mildred White becomes romantically involved with both Derwent Ainsworth and Dr. Mario Martinez while in Paris. She prefers Derwent, but when he leaves suddenly to see his dying father, Mario convinces Mildred that he has deserted her. When World War I begins, Derwent returns for Mildred, but upon learning that she is leaving Paris with Mario, he enlists in the army. Mildred discovers Mario's initial deception and joins the Red Cross to be near Derwent, who is blinded in battle and then tended to by Mildred. Unaware of the true identity of his nurse, Derwent falls in love with her, and the two are soon married. Mildred then prevails upon Mario to perform a special operation on Derwent's eyes. His vision restored, Derwent realizes that Mildred has returned to him, while Mario, after helping his former rival, dies in battle.

A visual fragment from the archive: The thematic resonance of The Dark Silence perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

Jean Valjean, a good man convicted of a minor crime, escapes from imprisonment and spends the rest of his life running from the vindictive and implacable man of the law, Javert.

Dir: Albert Capellani

Bernard Jansoulet, a fine specimen of the sons of Vulcan, kept the little farmstead of the Jansoulets by means of the profits from his smithy. His aged mother, a dear old lady, and a good-for-nothing brother, Louis, were the other members of the household. One day as Bernard passed along the little village, he saw poor, wayward Louis being exhorted to join a bibulous crowd at the inn. Bernard, himself of a temperate disposition, at once interposed, and soon led his brother towards home. There a good meal, served in true French farmhouse style, soon mollified the erring Louis, and during a chat there came the postman on his usual round. The missive, in an unusual writing, proved to be a letter saying that a friend had secured a situation in Paris for Louis. The answer was sent, and a few days later preparations were made for Louis' departure this, however, Bernard, in his usual quiet manner, negotiated a loan of 200 francs from a neighbor, and as Louis was on the point of going pressed upon him the little fortune to help him along his way. Full of seeming gratitude and with the kisses of his sorrowing mother still fresh upon his lips, Louis departed, with a promise to redeem the past in a new life. Life in Paris proved a vastly different thing to what Louis had expected ; but having succeeded to some extent by dint of resolution, he soon found time to look around and visit the many show places of the "gay capital." One evening, at a ball in the Montmartre district, he succumbed to the advances of a lady of somewhat doubtful morals, and eventually became the object of a quarrel between the woman and another, who had also been in his company. Filled with rage and pique at the slight which followed, the adventuress trumped up a charge of theft against Louis. The Public Prosecutor made short work of Louis' defense, and a letter, addressed to Bernard, bore the following words : - " My dear Bernard,- I have been fool enough to get mixed up with a woman, who, in a fit of jealousy, has accused me of stealing her jewels, and, as I cannot prove my innocence, I have been condemned to five years' imprisonment. Don't tell mother; it would kill her. - Louis Jansoulet." Bernard from that day went about his work in a dazed way. After the thought of Louis' error he could not settle, and, finally, leaving his mother sufficient for her needs for some time, he set out for a life in South Africa. On the way, at Marseilles, he met one Bompain, who, also in need of a friend, arranged to take him to a ship he knew of. An introduction to the captain secured berths for both as firemen. In the hot and grimy depths of the stokehold, they toiled for the next five weeks, and were pleased indeed to end the period of servitude, and set foot on new soil. After some weeks of search they drifted to the diamond mines, and entered once more upon a period of toil, compared to which the previous task was child's play. Bernard, ever of a strong and lusty way, could dig all day and hew the hard quartz without a murmur, but little Bompain, although a willing worker, soon found the work a severe trial. He was practically at the end of his powers of endurance, when Bernard made a staggering discovery. Within half-an-hour the news had spread all over the mine. The Frenchman, Jansoulet, had made the discovery of the age. Such a diamond had never before been gazed upon, and Jansoulet had suddenly become one of the world's richest men. Some months later Bernard sat in his palatial house in Paris, Bompain at his elbow as major-domo, and dreamed of his desires to conquer the entire city. His mother still preferred the old country life, and he was free to scheme and to gain his ambitions. Knowing his ways, one Moessac, the editor of The Messenger, soon fixed upon him as the one man to turn the tide of lii-fortune from his publishing house. A ball was arranged, on Moessac's suggestion, at Bernard's house, and here Felicia Ruys was introduced to him. Bernard, now named the Nabob, bestowed gifts with great prodigality, and Felicia was soon destined to come in for a share of his attentions. A scheme, evolved by Moessac and fostered by Bernard's growing love for the beautiful sculptress, was set on foot to secure for Bernard the office of Deputy for Corsica. The price of the honor was to be £4,000, to be paid to Moessac. Needless to say, the election proved an easy win for Jansoulet. He was soon able to dispatch a letter informing his mother of his success. He was not destined to live long, however, in his fool's paradise, for during a visit to Felicia's studio he overheard a conversation which showed that she was really in league with Moessac. In consequence of Bernard's denunciation. the rascally editor decided upon vengeance, and published a paragraph to the effect that " a grave political scandal is afoot. The member for Corsica, we are informed, has served a term of imprisonment for theft." Bernard arrived one day at the Chamber to find his alleged crime the one topic of conversation. He, having seen The Messenger, came prepared with the evidence of Louis' letter, and awaited the Chamber's action. The motion came on, and soon the House was intent upon the discussion of their comrade's transgression. At last Bernard was called upon to mount the dais and defend himself. As he commenced, his mother, who had come to congratulate her son, entered the visitors' gallery. She heard, in a dramatic scene, her son's denial of the base charge and his splendid speech. He was about to produce the letter which would fasten the guilt upon Louis, when he saw his mother's face. An instant's thought, and the letter was torn to fragments. Puzzled by his silence from this point, the majority pronounced him guilty. In the entrance-hall mother and son met, and as they left the Deputies began to realize that some reason obtained for the strange result of Bernard's actions. Moessac was shunned by all who knew him, and, disgusted with Paris and its superficial life, Bernard returned to the farm. Here, one evening, came Louis, footsore and starving. With true fraternal charity, he was taken in and succored, and once more the trio led their former plain and unassuming life as of old.

A visual fragment from the archive: The thematic resonance of Les Misérables, Part 1: Jean Valjean perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

The scene takes place in Paris in March 1793 during the Reign of Terror. The Knight of Maison-Rouge, posing as Citizen Morand, is organizing the escape of Queen Marie-Antoinette. He is assisted in his undertaking by Dixmer, a master tanner who passes himself off as an ardent revolutionary and his wife Geneviève, who also happens to be the Knight's sister. While on mission with her brother, she is saved from arrest thanks to the intervention of Lieutenant Maurice Lindey. Geneviève, who is married without love to Dixmer, falls for the young man, who requites her love. A tunnel is dug between a house rented by Dixmer and the Tower of the Temple but the various attempts to rescue the queen attempts fail. Marie-Antoinette risks the guillotine. Lindey finds himself involved in the plot.

Dir: Albert Capellani

The mechanic Etienne Lantier is a competent workman out of a job, whose tempestuous disposition is more than atoned for by a good heart. With bundle in hand he looks for work from town to town and in vain until he comes to the coal mines of Montsou. Luckily for him there is a vacancy because of a workman being absent, and the foreman, Maheu, hires him at the suggestion of his daughter, Catherine, who dressed as a man is wont to work like a man in the mine. Lantier creates an impression on her and she takes his part much to the chagrin of her accepted lover, Chaval, an unworthy and violent man. Lantier fails to recognize her as a woman until after sharing her lunch with him in the depths of the mine, her hair falls from under her miner's headgear. From that moment he devotes his whole heart to her. At the end of the day's labor Lantier, who has excited a fierce jealousy in Chaval, is invited by Maheu to become a boarder at his house and he joyfully accepts. The engineer, Negrel, making his daily descent into the mine finds the shoring timbers holding up the earth in a bad state and ready to fall. He makes a report recommending that the woodwork he immediately and properly repaired so as to avoid accident. The company, however, posts a notice saying that because the woodwork has to be repaired the price received by the miners per car of coal mined will be decreased. This arbitrary and unfair notice causes much discontent and anger among the miners. A mass meeting is called for at the Cabaret Rasseneur; Souvarine, an anarchistic workman, advocates violent measures. Lantier opposes this and suggests concerted action. The anger of the workmen breaks out afresh when they begin to receive their reduced wages and urged on by Lantier, whose influence is growing, they vote to strike. In the meantime Catherine, though in love with Lantier, dares not go back on her word to Chaval and marries him. Chaval treacherously carries full information of the strike proceedings to Mr. Hennebeau, the chief director of the company, and accepts pay for being a spy. The strike is now on amid general enthusiasm. In the meantime, Negrel, the engineer, who is in love with Hennebeau's daughter, pleads with Hennebeau to answer the miners' requests. Miss Hennebeau also pleads with her father, but in vain. The stores refuse to extend credit to the striking workmen and famine soon stalks among them. Lantier discovers to his surprise that Chaval is an exception and that he has plenty of food and money. As yet he has not discovered that Chaval is the paid spy of the company. Catherine brings secretly to her starving relative food and money. Chaval follows her, drives her from the house and strikes her. Lantier seeing it interferes in her behalf, and being attacked by Chaval thoroughly thrashes him. Chaval, taking advantage of the growing misery among the miners, urges some of them back to work. While they are in the mines the other strikers cut the elevator ropes. There is a panic in the mine depths. The imprisoned miners finally escape by ladders, but have to run the gauntlet of the enraged strikers, who still hold out. When Chaval is dragged from the mine Lantier rashes at him, but Catherine steps in between and prevents harm being done to her husband. Blinded by hatred Chaval goes to Hennebeau and denounces the miners' leaders, especially Lantier. The police are called upon to arrest him, but warned in time he escapes to the abandoned shaft of Voroux. The strike becomes violent and the troops are called in to reinforce the police. In the absence of Lantier, Souvarine is called in to head the strikers. Hennebeau's house is attacked and stoned. Seeing the soldiers preparing to fire on the mob, the director's daughter rushes from the house to try and avert the coming calamity. She is caught in the storm of bullets and dies together with many of the miners and their wives, among them Catherine's father. This crushes the strikers' movement and instigated by Chaval they vote to resume work. Lantier, emerged from his refuge, tries in vain to dissuade them, but his influence is gone and bowing to the majority he also goes back to work. Souvarine, alone implacable, determines upon desperate measures. He releases the bolts binding the barriers that hold back water from flooding the mine and the flood breaks loose. He is drowned in the cataclysm that follows. The miners, caught like rats in a trap, run madly hither and thither. Some escape, others, among them Lantier, Catherine and Chaval, are caught. These latter three find themselves imprisoned in an abandoned working pit, where they sit in despair with the water up to their knees. They have little food and when after long hours Catherine attempts to give a little of her lunch to Lantier. Chaval furiously opposes. Chaval finally attempts to deprive his wife by force of her morsel of food. In righteous rage Lantier strikes him and kills him. His dead body, floating on the water, haunts them. Forgetting their animosities, directors and workmen unite in the work of rescue. Through an abandoned pit they come near to Catherine and Lantier. Their signals being answered by the prisoners they redouble their exertions. By imprudence, however, an explosion takes place, which kills many of the rescuers and sets back the work. Among those killed is Catherine's brother. When the workers finally pierce the intervening walls they find only Lantier alive, for Catherine lies dead in his arms. When the unconscious man is brought into the daylight and at last opens his eyes it is the bereaved Negrel who, with a heart of sympathy, comforts him in his grief when he sees the body of his dead sweetheart. Broken in spirit he sees injustice rule and the poor pay the piper.

A visual fragment from the archive: The thematic resonance of Le nabab perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

A crook bungles his biggest job, and when the police are put on his trail, he becomes hopelessly lost and commits suicide.

Dir: Albert Capellani

When young schoolteacher Mary Adams is out of the classroom, she dreams of the days when the world was peopled by knights and beautiful ladies in distress. She is so imbued with the spirit of romance that when a strange young man rescues her from a street ruffian, she idolizes her hero, picturing him as a regular Sir Galahad. Mary's rescuer is Jim Anthony, a mechanic with inventive talents. Embittered after his invention is stolen, he becomes a burglar. Knowing nothing of this, Mary falls in love with him and marries him. He's a product of the slums, and in his wandering he has lost track of his mother. When he finally learns that she's living in the Carolina mountains, he persuades Mary to go with him to visit her. He takes with him a bag of jewelry, the plunder gained in his recent robberies. They find Anthony's mother living alone in a hut. The old woman has become a wretched creature. She fails to recognize her son, who asks for a night's shelter for himself and his wife. While unpacking, Mary discovers the jewelry and confronts Jim, who confesses his crime. Horrified, Mary orders Jim from the room, locks herself in, and goes to sleep on a couch in the main room. The old woman finds the jewels and her cupidity leads her to try to kill the man she doesn't know as her son. Mary finds Jim unconscious from his wound and hurries to the village for medical aid. She keeps away from him, and on his recovery he returns to the city and makes restitution of the stolen property. A reconciliation is brought about several years later.

A visual fragment from the archive: The thematic resonance of The Reign of Terror perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

Aurora Fernandez, a poor Cuban girl, is persuaded against her will to become betrothed to Don Armada, a wealthy Cuban. She loves Pedro, a young fisherman, who lives with his uncle, Father Venture, and his sister Celida, who has been secretly stealing to Don Armada's villa, but is cast off by him on his engagement to Aurora. Longing for a sight of Pedro, disguised as a dancing girl, Aurora goes to an inn where Pedro comes with other fishermen for a nights revelry. He does not recognize her as his "Lady of the Lily" as he calls her, but falls a victim to the charms of the dancing girl. Celida, dying of a broken heart, confesses to Pedro and Father Venture, and Pedro, to avenge Celida, summons all the fishermen in the village and leads them against Armada in whose villa the wedding feast is being held. The guests fly in terror and Armada is wounded. Aurora alone remains undaunted, and Pedro, finding her, recognizes not only his love of the tavern, but Aurora, and that she is the wife of Armada. Notwithstanding her pleadings not to kill her husband, he is about to strike when he sees that Don Armada is blind. This awakens his pity and he leaves the house. Don Armada has an operation performed on his eyes which proves successful, but the physicians warn him that any shock may result in blindness for life. Aurora, in the meantime, has been carrying on clandestine meetings with Pedro and Armada, hoping to find out who Aurora's lover is, tells her that the operation has been a failure. He intercepts a note from Pedro and, locking Aurora in her room, stabs Pedro. He then returns to Aurora and she discovers he has tricked her. He tells her what he has done, but the shock kills him. Aurora escapes and finds Pedro still alive. She takes him home where she watches over him; and the crisis over, the lovers are reunited.

Dir: Albert Capellani

Orphaned Mimi (Alice Brady) is taken in by a drunken innkeeper and becomes a maid. She meets Rudolphe (Paul Capellani), heir of a upper-class family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame De Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Shattered, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.