Hand-Picked Alternatives Movies That Echo the Spirit of Dearie: Cul...

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Hugh Ford

The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Kelly Gang perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Archie Mayo

That old guy, Father Neptune, certainly knew a thing or two when he picked out the ocean to live. Ferdy Fishcake had it on Neptune, though, for though he had a fright of a wife, he was easing himself into forgetfulness by taking a few days' vacation with her at the beach. And the sights he saw. They almost made him forget this wife. He burrowed under the sand to get near Lotta Pepp and when his wife woke up she thought he was gone for good. So she hired a detective and they started a search which complicated itself so many times in hotels and cast suspicion on so many marriage vows that we can't bear to tell about it.