Underground Favorites Parallel to the Artistry of Dimples: Cult Guide

Dir: Edgar Jones

Mary Lane and her cousin Claiborne want to sell some land left to them by their family. Real-estate agent Roland Manning falls in love with her, and prepares a deal that will make money for both of them. However, shady land speculator Wade Dempster plots to get Claiborne drunk and swindle him out of the land. In order to get the honest Roland out of the way, he has him framed for a murder that Wade himself committed. Things look hopeless for Roland.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Woman Pays perfectly mirrors the editorial trajectory of our deep dive.

Beth Coventry, society favorite and ward of a wealthy aunt, is beloved by three men: rich broker Philip Murdock; Marquis de Tourville, a polished, brilliant social lion; and poor but promising young banker John Langton. Following an impulse, coupled with the advice of her aunt, Mrs. Gordon, Beth accepts Langton and they are married. Mrs. Connie Beverly, a young widow whose husband was Langton's best friend, mistakes Langton's kind interest in her for a deeper feeling and becomes infatuated with him, but in her determination to win his love she plans to ruin his home. John and Beth are living in a modest little home which they call "Love Cottage." Mrs. Beverly calls on Beth there and finds her reading letters which she had written to the Marquis before her marriage, which he graciously returned. Her eyes fall on the pages of one letter in which Beth had written among other things, "Europe is so far away I must have time to consider your proposal." This letter Mrs. Beverly steals. Murdock, too, is bent on breaking up the Langton home if possible, hoping yet to have Beth for his own. With Mrs. Beverly he makes an appeal to Beth's vanity, her one failing, and they succeed in getting her dissatisfied with her lot. Beth insists on John leaving the "Love Cottage" and moving into a pretentious home, where she proceeds to entertain lavishly and far beyond John's means. Murdock, posing as John's friend, induces him to speculate in stock. John is desperate as Beth tells him he will lose her love if he cannot supply her with an unreasonable allowance. He is finally driven to misappropriate bonds entrusted to his care by Beth's aunt. The couple become estranged. John strives to recover the money he has lost in speculation, while Beth gives herself up entirely to social life. At the height of a great ball, lightning strikes a tree, it crashes through a window and falls upon Beth. She is severely wounded and a cut on her face mars her beauty for life. John is called, but Beth mistakes his look of pity for one of disgust. The next day she leaves to go in seclusion while a specialist attends her. Mrs. Beverly tells John she has gone away with the Marquis, and to prove it shows him part of Beth's letter, written when she was considering De Tourville's proposal before her marriage. Beth's aunt dies several months later, leaving her fortune to her niece. Rather than face the disgrace which will attend the exposure of John's theft of the aunt's bonds, he determines to end his life at the "Love Cottage." Beth's lawyers notify her about the missing bonds. She protects John by saying she knows where they are, then she goes in search of him. Through a strange coincidence, they meet at the "Love Cottage," where they renew their first vows of love.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A guide teaches a rich man and his spoiled daughter a lesson in the Maine woods.

Dir: Edgar Jones

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Black Ace perfectly mirrors the editorial trajectory of our deep dive.

A man of great physical strength is inclined to be a bully and get what he wants by brute force. Through a ruse, the girl he loves is made by the villain to shackle him to a post in his cabin. The villain then kidnaps the girl. By brute strength the hero pulls the post down, causing the house to fall on him. Extricating himself from the ruins he overtakes the villain and in a fight throws him over a cliff. This has the effect of sobering him and he realizes that there is something else in life but brute strength.

Dir: Edgar Jones

Henry Warburton, who is compelled to wait 9 years before coming into a willed inheritance, retires to the backwoods and marries Nola, a girl with no refinement or social graces. At length, his friend Grant Hamilton visits him, sees in Nola possibilities to which Warburton is blind, and "kidnaps" her. Hiding in a cottage, Nola is educated by Hamilton and a governess while Warburton searches in vain for her, mystified by frequent notes advising him of her progress, the last of which tells him of a daughter's birth. A year later, Warburton returns to New York where he meets Hamilton and Nola; amazed at the transformation, he is happily reunited with his wife.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Knight of the Pines perfectly mirrors the editorial trajectory of our deep dive.

Jilted on her wedding day, Maud Wainwright becomes a confirmed man-hater. Homesteading in the Southwest, she ignores the attentions of both bandit "Three Gun Smith" and Sheriff Steve Kennedy. When Smith's gang accidentally knocks over Maud's cabin, the men take her to Smith's cabin while they rebuild her dwelling. There, Maud discovers a mail pouch and believing that it was stolen by Smith, reports him to the sheriff, who persuades her to assist him in arresting the bandit. After Smith is captured, Maud discovers papers that prove he is actually a secret service agent and that the sheriff is the real bandit. Riding to Smith's rescue, Maud prevents him from being lynched at the hands of vigilantes and then proclaims her love for him.

Dir: Edgar Jones

A girl's brother has an ungovernable temper. After an outburst of great vehemence, the hero persuades the girl to elope with him. They are followed by her brother. A pious man, known as the Mediator, tries to hold him while the pair seek to get away. It develops that he is the girl's father. In the melee a lamp is overturned and a forest fire results. The old man, without disclosing his secret, leads them to safety but the brother perishes in the flames.

Dir: Edgar Jones

Julie Le Fabrier, a romantic young model in Madame Swan's dress shop, immediately falls in love with Lee Brooks after seeing a photo of the young millionaire in the paper. Soon afterwards, Julie is sent to the Grand Tides Hotel to deliver a dress to Madame Ricardo, an attractive young woman whose bills are paid by Lee's love-struck father, Mason Brooks. Having seen her husband, whom she believed to be in South America, on the grounds, Madame Ricardo deserts the hotel, so Julie dons the gown and masquerades as Mason's mistress. In the dining room, she meets Lee, who, hoping to interrupt his father's expensive affair, ardently woos "Madame Ricardo" and marries her. Mason, furious at Lee for "poaching on his father's preserves," rushes to the hotel. Meanwhile, Lee learns that Madame Ricardo already has a husband and deserts Julie, whom he still thinks is the madame. In the end, the mistaken identities are explained, and while Mason frees himself from the wiles of Madame Ricardo, Julie finds herself the happy wife of a rich man's son.