Curated Recommendations Similar Cinematic Experiences to Jean Choua...

Dir: Wallace Worsley

An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.

Dir: Franklin B. Coates

Depicts Jesse James' return home to Missouri after the Civil War hoping to live a life of peace, but is falsely accused of robbing a bank. He is forced to take up a life of crime by being branded an outlaw. Crimes are commited and blamed on him, his family is maimed by the Pinkerton Detective Agency, but all the while James is able to perform charitable acts to citizens. James is finally assasinated by Bob Ford. All told in a flashback style by Jesse James Jr. to a eastern baeu asking for his daughters' hand in marrage.

A visual fragment from the archive: The thematic resonance of Jesse James as the Outlaw perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jaroslav Siakel

The story of the Slovak highwayman and folk hero Juraj Janosik.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

A visual fragment from the archive: The thematic resonance of Jánosík perfectly mirrors the editorial trajectory of our deep dive.

Dir: Hanns Kobe

John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffinmaker and his mother where she will be secluded until the birth of the child. Torgus, a golemesque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return . . .

Dir: Franklin B. Coates

Shows James' joining of the Quantrill's raiders, a guerrilla force which fought against union sympathizers during the Civil War. James takes allegiance to the Black Flag, the raiders' banner. After the war he receives kind treatment from a judge concerning his acts of crime and later meets and falls in love with Zee, with whom he wishes to live a peaceful life.

A visual fragment from the archive: The thematic resonance of For the Soul of Rafael perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Oswald

The dramatic story of Lady Hamilton's rise and fall in European society during the 1700s and early 1800s, including the romantic love story with Lord Nelson.

Dir: Paul Scardon

1860 ushers in the era of iron ships, Richard Sibley, a builder of wooden ships, stubbornly resists the change, which leads him to forbid the marriage of his daughter Rose to John Rhead, a proponent of the new method. This injustice outrages John's sister Gertrude so much that she breaks off her engagement to Sibley's son Sam. Meanwhile, John and Rose elope. Twenty-five years later, John has grown rich and conservative and has a daughter named Emily. Gertrude, still single, tries to help her niece Emily marry the man she loves, Arthur Preece, rather than her father's choice, old Lord Monkhurst, but Gertrude fails. Twenty-five more years pass, and John again attempts to interfere by opposing the marriage of his granddaughter Muriel to Richard Sibley, Jr., an engineer. This time, however, Muriel's independence wins and she marries the man of her choice, and after the death of Monkhurst, Emily and Preece are finally together.

A visual fragment from the archive: The thematic resonance of Torgus perfectly mirrors the editorial trajectory of our deep dive.

Dir: D.W. Griffith

Two orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.

Dir: Luitz-Morat

An African soothsayer predicts death for a group of five Westerners.