Recommendations
Senior Film Conservator

The evocative power of Love Is Love (1919) continues to haunt audiences with its unique vision, its status as a United States icon makes it a perfect starting point for discovery. The following gems are essential viewing for anyone captivated by Love Is Love.
The visceral impact of Love Is Love (1919) stems from to serve as a cornerstone for cult enthusiasts worldwide.
Weak willed Gerry Sands, who wants to become an editor, is forced by his employer, locksmith Nick Barket, to crack safes, until, during a robbery, he reads some words from a dropped copy of Hamlet , and stops. Overjoyed, his sweetheart Polly Ann Kerry, gets him work at the hotel where she works, but Red Devlin, the brains behind the burglaries, frames Gerry for theft. Devlin bails him out, hoping he will return to safe-cracking, but Gerry leaves town and becomes a typesetter for a Western newspaper. After Polly exposes the crooks, she becomes ill from grief at not hearing from Gerry. Gerry returns and, risking arrest, goes to the police station to locate Polly. The police captain, who loves Polly, but realizes that she loves Gerry, gives him twenty-four hours probation to find and marry her. After he finds her, she thinks that he wants to marry her to escape jail, but the police captain vouches for Gerry's integrity, and they marry.
Critics widely regard Love Is Love as a cult-favorite piece of cult cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique unique vision of Love Is Love, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Scott R. Dunlap
When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.
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Dir: Scott R. Dunlap
Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.
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Dir: Scott R. Dunlap
After being fired from his job on the "Evening Star" newspaper, cub reporter Jack Darwin (William Fairbanks) with the help of undercover police woman Ethel Bennett (Eva Novak), prevents the theft of the valuable Riko jewels. Jack gets his job back...and marries Ethel.
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Dir: Scott R. Dunlap
Ben Lorimer and his daughter, Dot, are received with suspicion in a western town; when "Red" Kane rescues Dot, however, he wins her confidence and learns that Lorimer has adopted a new name and is wanted for a crime in Colorado for which he is not guilty. Trying to protect them from the sheriff and his posse, Red is wounded, but Dot nurses him. "Spunk" Lemm circulates rumors that Red is hiding behind a woman's skirts; Red engages in a fight with Spunk and, thinking he has killed him, returns to the hills; there he discovers the men who robbed the express office and gets a confession that clears Lorimer of the crime in Colorado. After resolving his difficulties, Red claims Dot as his future wife.
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Dir: Scott R. Dunlap
Harris Levi (Fred Warren) brings up Meg (Shirley Mason), who was left in his father's pawnshop by her mother. Anxious that she have a good environment, Harris takes her to live with his friend Robert. When her mother returns to claim Meg, Robert is revealed to be both Meg's father and the man with whom Harris' wife eloped. Meg is happily reunited with her parents and her sweetheart, Chick Saxe.
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Dir: Scott R. Dunlap
"Satan" Humphrey is the captain of the tramp steamer Glory Ann, is killed during a mutiny. His daughter Paula, brandishing a pistol, holds the mutineers at bay. Not long afterwards the ship picks up John Hadlock, an injured shipwreck survivor. Paula nurses him back to health and falls in love with him. John, recovering, helps her control the mutinous crew. The ship stops at San Francisco to pick up Glory, Paula's sister whom she hasn't seen since birth. As the ship sets sail for the South Seas, however, the crew mutinies again. Complications ensue.
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Dir: Scott R. Dunlap
After discovering that his bride has married him only for his money, Philip Dorset journeys to Africa in hopes of putting the past behind him. In the jungle, he teams up with a party of American circus men on an elephant hunt. Their expeditions take them to a native village where they discover Joan, an orphaned white girl whose missionary father has recently died. The group, now enhanced by Dorset's addition as the elephant trainer, takes the waif back to America with them. Years pass and Joan becomes an accomplished bareback rider in the circus, while her affection for Dorset deepens into love. Recalling his earlier unhappy experience, Dorset tries to discourage the girl, and upon failing decides to leave the circus. Soon after his departure, he discovers that his wife has divorced him and rushes back to Joan. That night, a terrific storm strikes the circus tent and out of the cataclysm the lovers are reunited.
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Dir: Scott R. Dunlap
Impresario Thomas Sullivan arrives in Ossawatomie, Kansas, to debut a new musical show written by native talent Gene Harris. Sullivan hires singer Millicent Lloyd, who auditions with a song written by her boyfriend, local bookkeeper Brian McBride. The impresario takes Millicent to New York City, where she becomes a famous singer. Brian arrives in the city with a new opera but keeps his presence secret from Millicent until he has achieved notoriety. Unable to complete an opera of his own, Harris steals Brian's work and presents it to Sullivan, who casts Millicent in the lead role. With the help of music publisher Gus Hertz, Brian exposes Harris and reclaims his composition. He and Millicent are reunited, and the opera goes on to great success.
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Dir: Scott R. Dunlap
A Canadian Mountie pursues an outlaw across the border into the American desert. His pursuit is complicated by the fact that he is in love with the fugitive's daughter.
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Dir: Scott R. Dunlap
Lawrence Hallor's plans to build model tenements for the poor are wrecked by his sweetheart's father, John Hamilton, a tyrannical political boss. He revives his plan under another identity, and Hamilton orders him crushed; but when Alice reveals his true identity, Hamilton revokes his order and sanctions the housing plan as well as his daughter's marriage.
View DetailsAnalysis relative to Love Is Love
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Twins of Suffering Creek | Ethereal | High | 94% Match |
| Be a Little Sport | Tense | Linear | 93% Match |
| The Fatal Mistake | Surreal | Abstract | 85% Match |
| Western Speed | Tense | Dense | 94% Match |
| Pawn Ticket 210 | Tense | Linear | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Scott R. Dunlap's archive. Last updated: 5/22/2026.
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