
Harris Levi (Fred Warren) brings up Meg (Shirley Mason), who was left in his father's pawnshop by her mother. Anxious that she have a good environment, Harris takes her to live with his friend Robert.

Noir before noir had a name, Pawn Ticket 210 is a 55-minute pocket symphony of regret—played on out-of-tune heartstrings and the cash-register chime of destiny. Director Jules Furthman, moonlighting from his usual scribbling duties, treats celluloid like pawnshop glass: every frame smeared with fingerprints of those w...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Scott R. Dunlap

Scott R. Dunlap
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" Noir before noir had a name, Pawn Ticket 210 is a 55-minute pocket symphony of regret—played on out-of-tune heartstrings and the cash-register chime of destiny. Director Jules Furthman, moonlighting from his usual scribbling duties, treats celluloid like pawnshop glass: every frame smeared with fingerprints of those who once touched it. Plot Reforged in the Crucible of Irony Imagine a city where streetlights hum like weary baritones and the river swallows suicides without so much as a shrug. ..."
David Belasco, Jules Furthman, Clay M. Greene
United States


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