Ben Lorimer and his daughter, Dot, are received with suspicion in a western town; when "Red" Kane rescues Dot, however, he wins her confidence and learns that Lorimer has adopted a new name and is wanted for a crime in Colorado for which he is not guilty. Trying to protect them from the sheriff and his posse, Red is wounded, but Dot nurses him.

The first thing that strikes you about Western Speed is how aggressively it refuses the marshmallow sentimentality that smothers many early-twenties oaters. Instead of a cherub-faced cowboy strumming a banjo beside a campfire, we get Red Kane—equal parts bruised knuckles and half-suppressed decency—whose moral comp...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Scott R. Dunlap

Edward LeSaint
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" The first thing that strikes you about Western Speed is how aggressively it refuses the marshmallow sentimentality that smothers many early-twenties oaters. Instead of a cherub-faced cowboy strumming a banjo beside a campfire, we get Red Kane—equal parts bruised knuckles and half-suppressed decency—whose moral compass quivers like a compass needle above a lodestone. Director Scott R. Dunlap, working from a Patterson White story that reads like dime-novel poetry, stages the frontier as a mora..."
Scott R. Dunlap, William Patterson White
United States


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