The Definitive Watchlist Seeking the Same Brilliance as Maniac: Cul...

Dir: Károly Lajthay

A girl has frightening visions after visiting an insane asylum where one of the inmates claims to be Drakula and she can not be sure whether they were a nightmare or real.

Dir: Bruno C. Becker

It is the year 1950; women have taken over men's jobs and have become the aggressors in romantic situations. Lizzie Hap stuffs the ballot box, defeats her opponent, Minnie Fish, and is thereby elected Fire Chief of the all female fire department, and succeeds in winning the hand of her fair loved one, Willie Wart.

A visual fragment from the archive: The thematic resonance of Her First Flame perfectly mirrors the editorial trajectory of our deep dive.

Dir: Fred Stranz

A fascinating piece of cinema that shares thematic elements.

Dir: Maxwell Karger

Horace Parker is a wealthy young man who is exceedingly selfish and self-centered. He is engaged to Minnie Talbotr who has discovered his selfishness and she is on the brink of calling off the engagement. On Christmas Eve, a messenger from Mars comes to Earth to show Parker the error of his ways.

A visual fragment from the archive: The thematic resonance of Der Vampyr perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eugenio Testa

The Italian adaptation of the famous novel about Dr. Frankenstein and his monstrous creation.

Dir: Jacob Fleck

Depicts a society lady trapped under the spell of an unskilled hypnotist.

A visual fragment from the archive: The thematic resonance of A Message from Mars perfectly mirrors the editorial trajectory of our deep dive.

Dir: Julius Herska

France in the late 1600s, the son of a widowed lord is kidnapped by gypsies, who carve a permanent grin on the child's face. When the deformed boy grows up, he falls in love with a blind girl named Dea, and joins a touring company as a performer. Calling himself Gwynplaine, he develops an act in which he reveals his hideous face to the crowds for money. A sexually perverse, seductive socialite named Josiane becomes attracted to him and seeks to possess him.

Dir: Richard Smith

Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long mustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end.

A visual fragment from the archive: The thematic resonance of The Monster of Frankenstein perfectly mirrors the editorial trajectory of our deep dive.

Dir: F.W. Murnau

In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first Count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first husband, three years ago. So he is rather undesirable. But Oetsch stays; arguing he is not the murderer and will find the real one...

Dir: Maurice Elvey

Sherlock Holmes comes to the aid of his friend Henry Baskerville, who is under a family curse and menaced by a demonic dog that prowls the bogs near his estate and murders people.