Cinematic Discoveries Resonating with the Themes of Mysteries of th...

Dir: James W. Horne

Wealthy Bruce MacAllister is goaded by his fiancée, Helen Sumner, into proving that he is a man of action rather than a pampered youth. After telling his estate administrator, Eugene Preston, that he is going east for a meeting, Bruce dons a disguise and infiltrates the San Francisco, CA, underworld. Bruce is mistaken for master criminal "The Chicago Kid" and finds himself leading the gang in a robbery of his own fortune in diamonds. When he discovers Eugene's intention to steal the jewels for himself, the loot changes hands many times. Helen summons the police, the criminals are arrested, and Bruce wins her respect.

Dir: James W. Horne

Jack Dunbar, needing a job, meets millionaire Nicholas Small, who gives him advice and presents him as a colleague. Small would like his daughter, Anne, to marry inventor Gillen Jolyon. Dunbar perfects and successfully demonstrates Jolyon's wireless power transmitting device in spite of Small's attempts to sabotage it, and he rescues Anne when she is caught in an electric power fracas caused by her father's villainy. Anne breaks her engagement with Jolyon and marries Dunbar.

A visual fragment from the archive: The thematic resonance of Blow Your Own Horn perfectly mirrors the editorial trajectory of our deep dive.

Dir: James W. Horne

In the Australian outback, a young woman falls for a dashing bandit known as Stingaree, who is actually a wealthy Englishman cheated out of his fortune by his greedy brother.

Dir: James W. Horne

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Stingaree perfectly mirrors the editorial trajectory of our deep dive.

Dir: James W. Horne

Young Barry Adams is determined to marry the beautiful Celia and has continuously proposes to her, only to be turned down each time because she doesn't think he's mature enough to settle down yet. One day he receives a note from a woman who turns out to be an obsessed former girlfriend. What happens next convinces him that he is indeed ready to settle down with Celia.

Dir: James W. Horne

When he is jilted, Alan Remington, the son of a wealthy Washington politician, falls into a state of deep depression. On the advice of Professor Hollister, from whom he is purchasing a death ray, the elder Remington attempts to divert Alan by providing him with excitement. At this time, a gang of foreign agents, led by Darwin Kershaw, Remington's secretary, kidnap both the inventor and his daughter, Carolyn, and steal the death ray, but not before the resourceful girl has thrown the control key to the ray out of the window, where it lands in Alan's car. The conspirators attempt to regain the key, but they are mockingly foiled on several occasions by Alan, who thinks they are men hired by his father to jolt him out of his depression. Alan eventually realizes that the men are seriously trying to kill him, and he sets out to bring them to justice. Alan prevents the agents from destroying several naval gunboats, rescues the Hollisters, and rounds up the aliens, handing them over to the F. B. I.

A visual fragment from the archive: The thematic resonance of The Third Eye perfectly mirrors the editorial trajectory of our deep dive.

Dir: James W. Horne

Two women finally tire of being taken advantage of by men, and vow that they will stop these cads from preying on helpless young girls.

Dir: James W. Horne

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Dangerous Pastime perfectly mirrors the editorial trajectory of our deep dive.

Dir: James W. Horne

Mary Grant, whose husband was killed in the war, has to support herself and her young son Tom by working in a cabaret because her husband's parents disapprove of and won't help her--but they want to adopt Tom. Complications ensue.

Dir: James W. Horne

War veteran James Henry "Jimmy" MacTavish returns to his hometown in the West to see his childhood sweetheart, June Carpenter. Despite his penchant for doing good deeds, Jimmy soon finds himself robbed of his clothes and money, and accused of kidnapping a child. Because the townspeople believe he was killed in the war, Jimmy is then jailed as an impostor, while others attempt to claim his inheritance. Jimmy's identity is ultimately verified, the townspeople give him a hero's welcome, and he is reunited with June.