Masterpiece Selection Resonating with the Themes of One Night in Ro...

Dir: Clarence G. Badger

An easy-going tramp with a love of food and an aversion to work suddenly gets deeply involved in the life of a farmer and his daughter.

Dir: Clarence G. Badger

Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.

A visual fragment from the archive: The thematic resonance of Sis Hopkins perfectly mirrors the editorial trajectory of our deep dive.

Dir: Clarence G. Badger

Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.

Dir: Clarence G. Badger

Dorothy Dean, a wealthy young woman with modern ideas, abhors the institution of marriage but discovers that she must be wed in order to receive a wealthy relative's inheritance. Through Judge Roan, the family lawyer, Dorothy meets Don Morton, who agrees to accept a $10,000 check to marry her and then leave her in peace. After the ceremony, however, Dorothy's new husband takes her to a lonely island retreat where he tries unsuccessfully to win her love. Defeated, he leaves the island. In his absence, she is attacked by thieves and is fighting for her life when Don returns and rescues her. Dorothy now realizes that she is happy to have a husband, and the two embark on a real honeymoon.

A visual fragment from the archive: The thematic resonance of The Kingdom of Youth perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Clarence G. Badger

An English nobleman falls for and marries a beautiful young chorus girl. When he brings her home to the castle to meet his family, she is horrified to learn that she is niece, aunt, and/or cousin of all twenty-three of the staff of servants.

A visual fragment from the archive: The thematic resonance of Friend Husband perfectly mirrors the editorial trajectory of our deep dive.

Dir: Clarence G. Badger

Homely schoolteacher Sam Lyman arrives from New England to settle in the Mississippi Valley town of Old Ebenezer, Arkansas while he studies law. During a game of forfeits given at the annual town social by Banker McElwyn, the richest man in town, Sam marries the banker's daughter Eva, the prettiest girl in town, in a fake ceremony. The couple later discovers that the marriage is legal and Sam offers to bow out, but Eva, who does not want to marry her father's choice, rich mule dealer Zeb Sawyer, persuades Sam to continue the marriage in name only. After Sam withstands slander from Zeb and McElwyn, they send night riders to horsewhip Sam and run him out of town, but he stays. When Zeb launches a run on McElwyn's bank, Sam saves it by depositing money he receives from writing a novel and bags marked $20,000, which are filled with horse shoes. Afterward, Eva refuses to have the marriage annulled.

Dir: Clarence G. Badger

A young lady designs a wonderfully received bathing suit and saves her employer from financial disaster. In the course of this, she falls in love with her employer's son, who is in danger of ruin from a romantic scandal.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Clarence G. Badger

A burlesque dancer overcomes the puritanism of a repressed small town.