Underground Favorites Mirroring the Impact of Public Opinion: Cult Guide

Dir: Frank Reicher

During the California gold rush, four unsuccessful miners assume that a woman prospector will give in without a fight, so they jump the claim of Kate Kenner and take her gold away from her. Afterward, although she is Sheriff Dan Deering's sweetheart, Kate decides to take the law into her own hands. Donning the trademark black mask of Silver Spurs, the noted bandit, Kate holds up the saloon where the crooks have stored the gold. As she makes her getaway, however, Dan catches her, and after unmasking her, is astonished to discover Silver Spur's true identity. The town puts Kate on trial immediately and a guilty verdict seems assured until the real Silver Spurs, who had greatly admired the masquerade, himself steals the gold and leaves a note exonerating Kate. Then, taking time out from his sheriff's duty, Dan, instead of pursuing Silver Spurs, starts making plans with Kate for their wedding.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of For the Defense perfectly mirrors the editorial trajectory of our deep dive.

Two playboys stumble drunkenly home, where the owner falls asleep and the other attacks the maid. The butler intervenes and a fight results in the death of the assailant. A French girl, escaping from a pimp who kidnapped her, witnesses the crime. The butler convinces his master he is the killer, and must flee. He joins the girl but is caught. She helps police expose the real killer by going undercover as another maid.

Dir: Frank Reicher

Soon after arriving in the U.S., Romanian immigrant Franz Libelt dies, leaving his daughter Michelna an orphan. The girl is befriended by newsboy Blackie Moyle, who invites her to share his home, which is a large piano box in a vacant lot. After he teaches her to be a "newsie," she cuts her hair, dresses as a boy, and changes her name to Mike. When Blackie is blinded while protecting her from a thief, Mike is forced to find a way to support them both. It occurs to her that two clay statuettes they sculpted might be valuable, so she takes them to an art exhibit. Mike's statue, known as the "trouble buster," sells immediately, but she credits Blackie as the sculptor. He then becomes the sensation of the art world and is sent to Paris to have his sight restored. Blackie comes to understand Mike's deception and returns to the U.S. to set things right. When Blackie is finally reunited with Michelna, she asks why he came back, and he replies, "For the love of Mike."

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of The Trouble Buster perfectly mirrors the editorial trajectory of our deep dive.

Mrs. Jackson endures the cruelty of her husband, Henry, for the sake of her son, Little Billy. They are visited in their Florida home by Mrs. Lenning, an adventuress who has convinced Henry that his wife is monopolizing Billy's affections. Although Henry intends to leave his wife for Mrs. Lenning, he will not consider a divorce without the custody of his son. While in Florida, Mrs. Jackson meets Richard Darcier, who sympathizes with her plight. Henry accuses his wife of being unfaithful, then sues for divorce and wins custody of Billy. Meanwhile, Jake, an African American voodoo worshiper in Richard's employ, has been warned by a priestess that he must provide their group with a sacrificial victim or die himself. Crazed by the threat, Jake chooses Billy. Mrs. Jackson finds the sacrificial cave and offers her life in exchange for that of her son's. At that moment, Mr. Jackson arrives with a rescue party, saves both their lives, and returns Billy to his mother after witnessing the strength of her mother love. Mrs. Jackson then marries Richard and the reconstituted family begins life anew.

Dir: Frank Reicher

To help their unemployed father make ends meet, Edith and her twin sister Grace work as seamstresses . An invalid, Grace falls prey to the temptations of Chinatown opium and becomes an addict, a condition worsened by a misguided physician who prescribes morphine to ease her pain. When their father strikes oil, the family enjoys a new prosperity and the sisters meet the eligible Jack Herron, a fellow oil prospector. To Grace's shock, Jack falls in love with Edith and in her jealousy, Grace tells Jack that Edith, not she, has a drug problem. Hinting that her sister will soon need more morphine, Grace arranges for a dinner in Chinatown with the couple. While her sister and Jack dance, Grace slips away to an opium den. Edith follows her, but ends up in the wrong den and is arrested in an ensuing drug raid. After he bails her out of jail, Edith takes an angry Jack to search for Grace and stumbles across her half-conscious body lying in the street. The truth about the sisters is revealed, and after sending Grace to a sanitarium in the country, Jack and Edith are married.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of Unconquered perfectly mirrors the editorial trajectory of our deep dive.

The sound of merry voices and the clinking of wine glasses came through the closed door of a child's room in an apartment situated in a quarter of Paris where night life predominates and where revelers know they may come and go as they please. It was late at night. The child had been asleep, but awakening, frightened, she stepped to the door a moment to listen and then fearlessly, having heard the musical laugh of her mother, she opened the door and entered a large room. It was filled with men and women, whose gaiety may have had some inspiration from the bottles which poked their heads above the rim of ice buckets, which formed an outer fortification around the banquet table. At the sight of the child the conversation ceased for a moment, then burst forth at some indiscreet remark. A woman arising from the head of the table hurried across the room, caught the child in her arms and carried her back into her room. The woman was Cora May, the child her daughter Diane, age four. Cora May was one of the stirs of the Parisian demimonde. The next morning Cora took the child to a convent, bade her a tearful farewell, and returned, sorrowful, to Paris. In her ears there still rang relentlessly the words spoken by a friend the previous evening when he saw the child, "She has the devil in her eyes, Cora, just like you." The little girl, Diane, grew up in the convent, learned to love the sisters and their sweet ways, blossomed into lovely girlhood and at 19 she left the convent to pass a vacation at a friend's home by the seashore at Narbonne. "Monsieur le Chevalier" saw her one day. Her beauty attracted him, her innocence kept him at a distance, but her eyes, those eyes wherein the "devil" was lurking, baffled and confused him. There followed a flirtation, innocent enough, a few words between them, a declaration of love and Diane had fallen a victim to the worldly wiles of "Monsieur le Chevalier," who was, in fact none other than the Duke of Cluny. Meanwhile Cora May, Diane's mother, had died, never having seen her child from the day she had taken her to the convent. Deserted by her care-free friends she found sympathy in a woman of rank, Duchess of Cluny, who sat at her bedside and watched an unhappy life ebb swiftly away. The Duchess made one promise: she would seek out the child, Diane, and take her into her home and guard her from temptation. Diane, still stunned by the experience of her betrayal, dedicates her life to the friendship for the kind Duchess, never associating her with "Monsieur le Chevalier." Subsequently Diane and the Duke, filled with remorse because of his indiscretion, recognize each other yet spare the Duchess, whom each loves from their secret. The past would have remained untold had Diane and not Lieutenant Dodd, U.S.N. fallen in love. The young woman refuses marriage but withholds her reasons, but the young American is obdurate and in time the truth dawns upon him. In a duel he kills the Duke of Cluny who by death atones for his sin, and we are left with the reasonable conclusion that in time Diane and Lieutenant Dodd find happiness together.

Dir: Frank Reicher

Bad woman turns good, but as a recent widow finds her past a roadblock in terms of accepting remarriage.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of The Secret Sin perfectly mirrors the editorial trajectory of our deep dive.

"Mr. Grex of Monte Carlo" is an interesting play of intrigue between the Grand Duke Augustus Peter of Russia, whose incognito is Mr. Grex, an English Secret Service agent, Lord Huntersley and a young American millionaire on pleasure bent, Richard Lane. Mr. Grex and two other diplomats who unofficially represent France and Germany, plan to meet as if by chance in Monte Carlo for the purpose of arranging a secret pact. The American millionaire sees and falls violently in love with Miss Grex, that is, the Grand Duchess Fedora. After several fruitless efforts to gain an introduction to this mysteriously inaccessible young lady, he secures the services of a bandit who is to pretend to hold up Fedora's car so that Lane may effect a rescue. Lane arrives on the scene as per schedule and is informed by the bandit that he has changed his mind and intends to make a real hold-up instead of a fake one. Lane, therefore, makes a real rescue and meets Miss Grex. He is informed by Lord Huntersley that his efforts are useless as she is a Grand Duchess of Russia. The third member of the conference arrives and coming across Lane in the middle of a love scene with Fedora, thrusts the papers into his hand saying "Give these to Huntersley," and disappears. Complications arise between Fedora and Lane. Lane finally manages to get rid of Fedora's father for a few hours and hiring a yacht they pick up a parson who for $5,000 and his trip home consents to go with them to America. Once outside the three-mile limit they are married under the laws of the United States.

Dir: Frank Reicher

Stephen Stephani leaves Nordhoff with his daughter Mary to visit Zandria, an enemy country, where he tries to steal the war plans of the hostile nation. There, Mary meets Paul Ekald, a Zandrian captain, falling in love with him at first sight. While Mary remains in Zandria for the moment, Stephani returns to Nordhoff. Meanwhile, Vesta, Mary's illegitimate half-sister, has managed to get hold of important war plans stolen from Count Wenzel. But, to get them, she had to kill the count. While trying to reach Nordhoff, she is stopped at the border. There, she also finds Mary waiting to cross the border. Vesta convinces Mary to exchange her passport with her, in order to allow her to leave the country. She thus brings to Nordhoff the plans drawn with invisible ink on her petticoat. Meanwhile, Mary is arrested and, accused in place of Vesta, sentenced to be shot. Vesta, after having fulfilled her mission and learning of her sister's fate, goes back and redoes the exchange with her, allowing her to save herself. After some time, peace is declared and Mary can reunite with the man she loves.

Dir: Frank Reicher

The family of an Irish landlord want him to wed who they think is a visiting heiress from the US but the real heiress pretends she is just a servant and hides her identity.