The Definitive Guide Deeply Connected to ¡Que viva Mexico!: Cult Guide

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Lady Hamilton perfectly mirrors the editorial trajectory of our deep dive.

The dramatic story of Lady Hamilton's rise and fall in European society during the 1700s and early 1800s, including the romantic love story with Lord Nelson.

Dir: Franklin B. Coates

Shows James' joining of the Quantrill's raiders, a guerrilla force which fought against union sympathizers during the Civil War. James takes allegiance to the Black Flag, the raiders' banner. After the war he receives kind treatment from a judge concerning his acts of crime and later meets and falls in love with Zee, with whom he wishes to live a peaceful life.

Dir: Franklin B. Coates

A visual fragment from the archive: The thematic resonance of Jesse James Under the Black Flag perfectly mirrors the editorial trajectory of our deep dive.

Depicts Jesse James' return home to Missouri after the Civil War hoping to live a life of peace, but is falsely accused of robbing a bank. He is forced to take up a life of crime by being branded an outlaw. Crimes are commited and blamed on him, his family is maimed by the Pinkerton Detective Agency, but all the while James is able to perform charitable acts to citizens. James is finally assasinated by Bob Ford. All told in a flashback style by Jesse James Jr. to a eastern baeu asking for his daughters' hand in marrage.

Dir: Hanns Kobe

John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffinmaker and his mother where she will be secluded until the birth of the child. Torgus, a golemesque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return . . .

Dir: D.W. Griffith

A visual fragment from the archive: The thematic resonance of Jesse James as the Outlaw perfectly mirrors the editorial trajectory of our deep dive.

Two orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.

Dir: B.A. Rolfe

In the Roman Coliseum, at the beginning of the Christian era, the Emperor Turnerius, accompanied by his favorite, Nerissa, watches the bestial games in the arena. His son Gordian is asked by Grimaldo the magician to save the life of a Christian girl about to be thrown to the lions. He refuses, whereupon Grimaldo prophesies the fate of the Empire by telling the prince a story of the future: Two thousand years hence, in New York, a parallel situation takes place in which a young man is led to put a stop to the base plans of his father. The prince is so deeply affected by the injustice of the story that he plunges into the arena to save the girl, causing the emperor to die in a fit of rage, thus precipitating the coronation of his son as the new emperor.

Dir: André Antoine

A visual fragment from the archive: The thematic resonance of Torgus perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Frederic Zelnik

A fascinating piece of cinema that shares thematic elements.

Dir: Wallace Worsley

An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.