Recommendations
Senior Film Conservator

As a cultural touchstone of United States, Sunny resonates with its unique vision, its lasting impact ensures that its spirit lives on in modern recommendations. Our archive is rich with titles that mirror the unique vision of William A. Seiter.
For many, the first encounter with Sunny is to provoke thought and inspire awe in equal measure.
To be near the fella she loves, an English bareback rider dons dungarees and cap to pass as a boy, stows away to America, gets caught, marries someone else...and finally ends up in the warm embrace of her beloved. Such fluffy foolishness is the plot of "Sunny," the Broadway smash brought to screen life by the irresistible Marilyn Miller, recreating her stage success in the title role. The sparkling Jerome Kern/Oscar Hammerstein lotto hardback score includes "Who?" and the title tune. And the lovely Miller socks'em over with her winning voice, exhilarating dancing skills, and infectious good cheer. If this is your first encounter with Marilyn Miller, prepare to be a fan.
Based on the unique unique vision of Sunny, our vault has identified these titles as the most compelling follow-up experiences for fans of Musical cinema:
Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
View Details
Dir: William A. Seiter
A young wife is too fond of the frivolities of life to care about raising babies. But one day she finds herself called upon to help a woman in the street who is taken suddenly ill and is obliged to hand over her baby to strangers. The young woman takes the baby home and cares for it. The old trick of the husband misunderstanding a telephone message, and rushing home with an armful of toys for an anticipated heir, is worked in. The arrival of a nurse on the scene to claim the child leaves a vacuum in the home of the young couple, and the wife's hysteria causes the husband to hunt another baby. He arrives at home with it at the same time that the other child, whose mother is unable to care for it, is returned, causing amusing complications.
Dir: Raoul Walsh
Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.
View Details
Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
View Details
Dir: William A. Seiter
A newly married couple decide to spend their first Sunday at home. Mr. Newlywed boasts to his office associates of his wife's cooking and they immediately invite themselves for a Sunday dinner. Some friends of his wife decide to make their first Sunday at home anything but a quiet one. They advertise in the papers for a cook, giving the Newlywed's address, with the result that many applicants call for the position. Their cook, thinking that she is to be fired, packs her grip and in a huff leaves them. Nothing is left for the Newlyweds now but to cook their own dinner. The antics in the kitchen and the resulting dinner which is served to their guests are very funny. In the end they all proceed to a lunch counter where they eat a hearty meal.
View DetailsAnalysis relative to Sunny
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Honeymooning | Ethereal | Dense | 92% Match |
| The River's End | Gothic | Linear | 91% Match |
| Beach Birds | Surreal | Layered | 88% Match |
| In and Out | Tense | Linear | 98% Match |
| The Tiger's Coat | Gothic | Abstract | 88% Match |
This guide was algorithmically generated using the cinematic metadata of William A. Seiter's archive. Last updated: 5/19/2026.
Back to Sunny Details →