Recommendations
Senior Film Conservator

If you found yourself captivated by the cult status of The Ghost Talks (1929), the profound questions raised in 1929 still require cinematic answers today. Experience the United States influence in these recommendations that echo The Ghost Talks.
The Ghost Talks remains a monumental achievement to provide a definitive example of Lewis Seiler's stylistic genius.
Miriam Holt hopes to solve the disappearance of a million dollars in bonds allegedly stolen by her late uncle. A team of crooks is following her, though, in hopes she'll uncover the missing money and they can grab it from her. She checks into a hotel where Franklyn Green works as a desk clerk. Franklyn is learning to be a detective through a correspondence course, and he thinks he's just the guy to help Miriam solve her mystery. The fact that she's a very attractive lady doesn't hurt, either.
Based on the unique cult status of The Ghost Talks, our vault has identified these titles as the most compelling follow-up experiences for fans of Crime cinema:
Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
Dir: Joseph Henabery
When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
Dir: George D. Baker
A prison inmate obtains his release from prison in order to rescue his daughter from the clutches of her unscrupulous mother's plot to implicate the girl in a blackmail scheme.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
View DetailsAnalysis relative to The Ghost Talks
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Kelly Gang | Tense | Linear | 95% Match |
| Mary's Ankle | Surreal | High | 86% Match |
| Love Madness | Ethereal | Linear | 86% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| Striking Models | Tense | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Lewis Seiler's archive. Last updated: 5/15/2026.
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