Hidden Genre Gems for Fans of The Girl from Rio: Cult Guide

Dir: Tom Terriss

Innocent Kaly Dial comes to New York from the Cumberland Mountains and gets employment at a fashionable dress shop owned by a friend of her deceased mother. Peter Vernon, the brother of the owner, falls in love with her, but Kaly becomes attracted to suave John Crispen, not knowing of his reputation as a Lothario and his shady business deals. Crispen scoffs at conventional marriage and rearing children, preferring "comradeship," while Vernon offers marriage. Kaly finds herself attracted to Crispen's unconventionality and, believing that he loves her, goes with him to a hotel, but soon realizes that his love is not right and asks to be taken back. Crispen complies even though he knows he will face imprisonment when he returns. Vernon takes Crispen's case and after finding out that Crispen is already married, gets him off with the promise that he will never see Kaly again. After a year, Kaly falls in love with Vernon and they are married.

Dir: Tom Terriss

A visual fragment from the archive: The thematic resonance of The Pursuing Shadow perfectly mirrors the editorial trajectory of our deep dive.

At a dance given by Earl Dexter, his wife, for the gratification of a whim, wears a beautiful pearl necklace recently purchased by Viscount Acheson. Craig Dare, who is a gentleman thief, makes love to Earl Dexter's wife, and at the same time succeeds in stealing from her the pearl necklace and handing it out of the window of the house to Tony Oscaros, a chauffeur, who is none other than Dexter, who is leading a dual life. The party ends in confusion at the announcement of the loss of the necklace. Craig Dare learns that Viscount Acheson, who carries with him a considerable sum of money, is going to be at an inn (owned by Dexter's father) in the neighborhood. Dare goes with Acheson to the inn and allows him to fall into the hands of Tony Oscaros and his gang. Shortly before this happened, Earl Dexter comes to the inn to see his father, who, however, is absent at the time. Dexter's father returns to his inn in time to find the murdered Acheson, and see Tony Oscaros dashing out of the house. By a peculiar coincidence, Oscaros looks so much like Earl Dexter that even his father is deceived by the resemblance. Later, Earl Dexter is accused and convicted of the murder of Acheson. At the last moment. Tony Oscaros' little boy recognizes the fact that Dexter is not his father, and so gives the clue to the guilt of Tony Oscaros. The police follow up the clue and after finally encounter and capture Tony Oscaros.

Dir: Tom Terriss

An expose of the methods used by a police-department to extract a confession from a suspect, regardless of innocence or guilt, and the effect and consequences on a family when an innocent member breaks under the interrogation methods and confesses to a crime he did not commit.

Dir: Tom Terriss

A visual fragment from the archive: The thematic resonance of The Third Degree perfectly mirrors the editorial trajectory of our deep dive.

Maurice Dumars, a journalist, is enamored of Madeline Renard of a French opera company. She is to sing Marguerite in Faust and induces Monsieur Morin, a gold worker, to make a past replica of a string of pearls, which belong to her mother and which is worth $20,000, for the great jewel aria. Morin makes the counterfeit gems, and the next day is found dead. The $20,000 which Mr. Morin received from Madame Thibault to invest for her is missing from his effects but a note from him to Madeline which is found saying he had done her a great favor in making the jewelry casts suspicion upon the opera singer. When she makes her appearance as Marguerite in Faust she is hissed, and she tells of her business relations with M. Morin and of her mother's jewels. Simultaneous with her leaving the convent a year or so later, where she had gone to seek refuge, Dumars finds pinned on the walls of Mme. Tibault's inn the $20,000 in bank notes which M. Morin had given her and which she had carelessly left there . With the mystery cleared, Madeline is again sought by Dumars and all who had done an injustice. - Moving Picture World.

Dir: Tom Terriss

Raoul Mendoza, a famous swordsman, in order to save his daughter from the temptations of Paris, sends her to the tropical South of France, to live with an old lighthouse keeper and his wife and son. Sometime later Mendoza is stricken with illness and is advised by his doctor to take a complete rest and an immediate change of air. Mendoza decides to join his daughter in the south. Through cunning, Marquise de Bregant secures an invitation from Mendoza to join in the trip and he accepts. Meanwhile, Caprice, the daughter of Mendoza is, quite unknown to her, loved by Jean, the son of Charcot, the old lighthouse keeper. She is also worshiped by Hannibal, an assistant at the lighthouse to Charcot, a mysterious man who was picked up on the sands, shipwrecked and never regained his memory. Mendoza and Bregant arrive at the village and Caprice is at once attracted by Bregant. Jean is jealous, and Hannibal, when he meets Bregant, almost awakened out of his dormant lethargy, behaves in a peculiar fashion. Juliette, having followed Bregant, arrives and meets him secretly. Caprice takes Bregant over the lighthouse. There is a little lovemaking which Hannibal sees and attacks Bregant in spite of the pleadings of Caprice. During the struggle Bregant recognizes Hannibal. Bregant makes arrangements with Caprice to elope. Hannibal finds out all, tells Mendoza, but he disbelieves him. Hannibal leaves and while gazing out of the window, Bregant passes. An old negro in his way begs alms. He knocks him down; the negro rises and he fells him again and beats and kicks him mercilessly as he lies on the ground. The fight partly restores Hannibal's memory, and he returns to Mendoza and reveals the hidden past. Two men went to South America on an exploring expedition, one was the Marquis de Bregant, the other Count Chambord. They were very successful, but particularly Chambord, who located gold mines. Bregant was, in consequence, exceedingly jealous. One day Bregant beat an old porter into insensibility. Chambord interfered, but was soon felled by Bregant, who took the latter's papers and returned to France, where he was acclaimed with high honors, giving out that poor Chambord died of fever. In the meantime, Chambord was nursed back to life by the natives, but his memory never returned and he eventually found himself upon a ship as a sailor until wrecked upon the shores of the South of France, where he remained as assistant lighthouse keeper to Charcot. As he finishes the story, Jean rushes in with the news that Bregant had gone off in his yacht and taken Caprice with him. The shock of such news is too much for Mendoza, and he is stricken with paralysis. Meanwhile, Caprice, who only consented to leave with Bregant under the promise of marriage on the boat, Bregant having told her that he had the minister, discovers that it is all a fraud. He fails in his attempt to drug her, and when he leaves to procure assistance, she locks herself in a cabin. When they reach port, Caprice escapes with the captain's assistance. Meantime, Jean, who has come to Paris in search of Caprice, by chance, one day, meets her. He persuades her to return to her father, who forgives her for her actions. Jean locates Bregant one night in a restaurant with his paramour, and a duel is arranged for the next day. Mendoza's prayer for the return of his strength is answered, and he swears vengeance upon his enemy. In the morning Bregant arrives in the woods to fight Jean, but to his horror and amazement, he meets Mendoza. Realizing he is doomed, he tries to avoid a fight, but is forced to it, and after a very thrilling encounter he is killed. Mendoza, Caprice and Jean then leave Paris forever to settle in the beautiful spot where Caprice spent her childhood days.

Dir: Tom Terriss

A visual fragment from the archive: The thematic resonance of Find the Woman perfectly mirrors the editorial trajectory of our deep dive.

Henri Durand of the French nobility is insanely jealous of his beautiful American wife Marion's innocent conversations with her many male admirers. Durand provokes her suicide when, egged on by a rejected suitor of Marion's, he accuses her of having illicit relations with her visiting childhood friend, Tom Franklin. Twelve years later, when Tom returns after a long expedition, the vengeful Durand coaches his daughter Beatrice, who resembles Marion, to court Tom. After they become engaged, Durand forces Beatrice to flirt with other men, but when Tom, overcome with jealousy, is about to kill himself, Beatrice admits her real love for him. Durand is at first furious with Beatrice's supposed betrayal, but he is pacified when he receives a confession from Marion's refused suitor that absolves Tom of any guilt. Durand then permits the marriage of Beatrice and Tom.

Dir: Tom Terriss

Carrying on with the antique business of her deceased father, Jacqueline Nevers (Alice Joyce) is asked to catalog James Desboro's (Walter McGrail) collection. When they fall in love, it induces the jealousy of Elena Clydesdale, a married woman who is also in love with James. Jacqueline and James marry, but Elena endangers their happiness by announcing that she and James are having an affair. When Elena becomes ill, she becomes reconciled with her husband and confesses her lies to Jacqueline, permitting the newlyweds to live in peace.

Dir: Tom Terriss

A visual fragment from the archive: The thematic resonance of The Pearl of the Antilles perfectly mirrors the editorial trajectory of our deep dive.

Due to her parents' coldness and constant struggle for social recognition, Marcia Van Arsdale grows into womanhood despising love. When mine owner Robert Jardine comes to New York, he causes the near bankruptcy of Marcia's father by manipulating the copper market. Marcia's parents bring about a marriage between their daughter and Robert, although Marcia makes it clear that she can never love. Marcia gives birth to a baby boy and is indifferent to the child until he is kidnapped one day. Marcia realizes her heart is filled with maternal love and also confesses her love for Robert. Christmas Eve brings only sadness to the Jardine home until Robert confesses that he arranged the kidnapping to kindle Marcia's emotional spark. The child returns to a happy family.

Dir: Tom Terriss

William Lanyon, a West Indian planter, dies and leaves all his estate to his nephew, Dick Lorient, a New York society rounder, who is engaged to be married to his cousin, Dulcie Lanyon. Dick leaves to inspect his property and John Stark, the overseer, to whom the estate has been left in the event of Dick's death, conspires to gain possession of the property. In Jamaica, Dick meets the "Woman," and in the Flame of Passion, passes through rushing waters and fires of hell. How he escapes the siren's deadly fascination and the villainous scheming of Stark is depicted herein.

Dir: Tom Terriss

Louise Grayling escapes from a straight-laced aunt on a plea that she wants to visit her uncle, Captain Abe, on Cape Cod. Abe is henpecked by his housekeeper and rather looked down upon by the villagers who haunt his store. To give himself a fictitious glory he invents a fictitious brother, Amzon, who is a composite of all the pirates from Blackbeard to the food profiteers. Louise penetrates the deception and induced Abe to go away and come back as the fictitious brother. She has the time of her life keeping the placid Abe up to the reputation of his fire-eating brother, but all would have gone well had not some shipwrecked East Indians imagined that they recognized him as the desecrator of their Temple. Between them and the town people, who get the idea that Abe has been murdered by Amzon, Louise has her hands full, but Abe is transformed into his proper self, and a supposed fisherman who turns out to be a young millionaire rescues her from the mob and all ends happily after all. - Moving Picture World.