The Definitive Watchlist For Devotees of The Love Mask: Cult Guide

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Hazel Gray, a young nurse, is in love with Phillip Carson, son of Mrs. Carson-Morgan, a philanthropist. Phillip, having quarreled with his step-father, leaves home, secures a position, and lives at the same boarding house as Hazel. Called home by his mother's sudden illness, Phillip manages to have Hazel called on the case. Her recognition of the doctor as the man whose trickery she discovered in time to save her own honor, is concealed from Phillip, but her stay is rendered almost unbearable by the doctor's forced attentions. Mrs. Morgan dies suddenly and in terrible agony, from arsenic poisoning. Suspicion points to Hazel, proof of her knowledge of the location of a bottle of arsenic being established by Morgan. Her former supposed relations with the doctor appear as a reason for the crime. Phillip's testimony is against her, but Gordon Graham, a wealthy young man who is on the jury, is at once impressed with the girl's innocence, and succeeds in securing a verdict of "not guilty." Throughout the trail the spirit of the poisoned woman endeavors to point out the guilty person. The weight of public opinion, however, falls heavily upon the girl, sensational newspapers doing their share to increase it, until Hazel can find no place to stay. Finally Graham takes her to his sister's home where he declares his love for Hazel and an unshaken belief in her innocence. Smith, a dope fiend, refused drugs by Dr. Morgan, threateningly reveals his knowledge that the doctor has substituted arsenic for powders prescribed for his wife by the attending physician. During the struggle which follows, Hazel, Graham and a policeman appear, and Smith, having secured possession of the doctor's pistol, fires the shot which mortally wounds Dr. Morgan, who confesses in his dying moments that he is the guilty person. Hazel's innocence is thus established, the public opinion is quickly changed, and the girl goes to the waiting arms of the man who has so valiantly defended her.

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A visual fragment from the archive: The thematic resonance of Castles for Two perfectly mirrors the editorial trajectory of our deep dive.

The family of an Irish landlord want him to wed who they think is a visiting heiress from the US but the real heiress pretends she is just a servant and hides her identity.

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A Japanese maiden is pursued by an unscrupulous American young man who falsely believes her to have great riches.

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A visual fragment from the archive: The thematic resonance of Alien Souls perfectly mirrors the editorial trajectory of our deep dive.

Patricia O'Brien, known as "Pat" the "Chorus Lady,' is a keen-witted, clean-lived young girl easily holding her own amid the temptations incident to her profession. She is engaged to marry "Danny" Mallory, a young detective, whose great ambition is to own a farm, marry Pat and leave the bright lights forever. Pat has a younger sister, Nora, whose yielding and idealistic natures Pat knows and she keeps her working in a country store "a million miles from Broadway," under the guardianship of a strict old woman. Nora, stage-struck and envious of Pat, leaves the store and turns up at the theater when Pat is rehearsing. Nora announces that she is going on the stage in spite of Pat's protests. Crawford, a young man-about-town, who is backing the show, struck by Nora's beauty and youth, gives her a position in the company. Crawford plies Nora with attention until she falls in love with him and Pat in her efforts to open Nora's eyes as to Crawford's true character, only succeeds in antagonizing her. Realizing that she cannot convince Nora or control her for long Pat begins a flirtation with Crawford. Nora fights bitterly to hold him. Danny becomes jealous and refuses to believe Pat when she explains that she is flirting with Crawford in an effort to disillusion Nora. At the dress rehearsal of the play in which Pat and Nora are to appear the star sends word that she is ill. Pat is given the chance to play the part. Knowing that Pat cannot leave the theater, Nora leaves a note that she is going to Crawford and slips home to pack. Pat, half-dressed to go on, finds the note, gives up her great opportunity, wraps herself in a cloak and in a cab hurries to Crawford's apartment. She arrives at Crawford's apartment first and leads Crawford into a declaration of love just as Nora appears. Pat demands that Crawford choose between them. Crawford chooses Pat. In the meantime Danny has been sent to get divorce evidence for Crawford's wife. They break into Crawford's rooms and Danny finds the woman to be his own girl. In the stormy scene that follows Pat's borrowed cloak slips from her shoulders revealing her in her underwear. With all evidence against her Pat is unable to establish her innocence. Danny cannot believe her innocent, but makes up his mind never to appear against her. Nora and the detective go, leaving Pat alone with Crawford. She promptly tells Crawford what she really thinks of him and he dismisses her from the company and orders her out of his rooms. Danny resigns his job rather than appear against Pat and the divorce suit never comes to court. Pat, out of a job, is unable to find another engagement and is about to be turned out of her boarding house when Nora, convinced of Pat's loyalty, telephones Danny and tells him the truth. Danny gets his farm and they all go to it, taking along as helper, "Bobs," the young assistant stage-manager, who cherishes an honest passion for Nora.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of The Chorus Lady perfectly mirrors the editorial trajectory of our deep dive.

The sound of merry voices and the clinking of wine glasses came through the closed door of a child's room in an apartment situated in a quarter of Paris where night life predominates and where revelers know they may come and go as they please. It was late at night. The child had been asleep, but awakening, frightened, she stepped to the door a moment to listen and then fearlessly, having heard the musical laugh of her mother, she opened the door and entered a large room. It was filled with men and women, whose gaiety may have had some inspiration from the bottles which poked their heads above the rim of ice buckets, which formed an outer fortification around the banquet table. At the sight of the child the conversation ceased for a moment, then burst forth at some indiscreet remark. A woman arising from the head of the table hurried across the room, caught the child in her arms and carried her back into her room. The woman was Cora May, the child her daughter Diane, age four. Cora May was one of the stirs of the Parisian demimonde. The next morning Cora took the child to a convent, bade her a tearful farewell, and returned, sorrowful, to Paris. In her ears there still rang relentlessly the words spoken by a friend the previous evening when he saw the child, "She has the devil in her eyes, Cora, just like you." The little girl, Diane, grew up in the convent, learned to love the sisters and their sweet ways, blossomed into lovely girlhood and at 19 she left the convent to pass a vacation at a friend's home by the seashore at Narbonne. "Monsieur le Chevalier" saw her one day. Her beauty attracted him, her innocence kept him at a distance, but her eyes, those eyes wherein the "devil" was lurking, baffled and confused him. There followed a flirtation, innocent enough, a few words between them, a declaration of love and Diane had fallen a victim to the worldly wiles of "Monsieur le Chevalier," who was, in fact none other than the Duke of Cluny. Meanwhile Cora May, Diane's mother, had died, never having seen her child from the day she had taken her to the convent. Deserted by her care-free friends she found sympathy in a woman of rank, Duchess of Cluny, who sat at her bedside and watched an unhappy life ebb swiftly away. The Duchess made one promise: she would seek out the child, Diane, and take her into her home and guard her from temptation. Diane, still stunned by the experience of her betrayal, dedicates her life to the friendship for the kind Duchess, never associating her with "Monsieur le Chevalier." Subsequently Diane and the Duke, filled with remorse because of his indiscretion, recognize each other yet spare the Duchess, whom each loves from their secret. The past would have remained untold had Diane and not Lieutenant Dodd, U.S.N. fallen in love. The young woman refuses marriage but withholds her reasons, but the young American is obdurate and in time the truth dawns upon him. In a duel he kills the Duke of Cluny who by death atones for his sin, and we are left with the reasonable conclusion that in time Diane and Lieutenant Dodd find happiness together.

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Mrs. Jackson endures the cruelty of her husband, Henry, for the sake of her son, Little Billy. They are visited in their Florida home by Mrs. Lenning, an adventuress who has convinced Henry that his wife is monopolizing Billy's affections. Although Henry intends to leave his wife for Mrs. Lenning, he will not consider a divorce without the custody of his son. While in Florida, Mrs. Jackson meets Richard Darcier, who sympathizes with her plight. Henry accuses his wife of being unfaithful, then sues for divorce and wins custody of Billy. Meanwhile, Jake, an African American voodoo worshiper in Richard's employ, has been warned by a priestess that he must provide their group with a sacrificial victim or die himself. Crazed by the threat, Jake chooses Billy. Mrs. Jackson finds the sacrificial cave and offers her life in exchange for that of her son's. At that moment, Mr. Jackson arrives with a rescue party, saves both their lives, and returns Billy to his mother after witnessing the strength of her mother love. Mrs. Jackson then marries Richard and the reconstituted family begins life anew.

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A visual fragment from the archive: The thematic resonance of The Dupe perfectly mirrors the editorial trajectory of our deep dive.

"Mr. Grex of Monte Carlo" is an interesting play of intrigue between the Grand Duke Augustus Peter of Russia, whose incognito is Mr. Grex, an English Secret Service agent, Lord Huntersley and a young American millionaire on pleasure bent, Richard Lane. Mr. Grex and two other diplomats who unofficially represent France and Germany, plan to meet as if by chance in Monte Carlo for the purpose of arranging a secret pact. The American millionaire sees and falls violently in love with Miss Grex, that is, the Grand Duchess Fedora. After several fruitless efforts to gain an introduction to this mysteriously inaccessible young lady, he secures the services of a bandit who is to pretend to hold up Fedora's car so that Lane may effect a rescue. Lane arrives on the scene as per schedule and is informed by the bandit that he has changed his mind and intends to make a real hold-up instead of a fake one. Lane, therefore, makes a real rescue and meets Miss Grex. He is informed by Lord Huntersley that his efforts are useless as she is a Grand Duchess of Russia. The third member of the conference arrives and coming across Lane in the middle of a love scene with Fedora, thrusts the papers into his hand saying "Give these to Huntersley," and disappears. Complications arise between Fedora and Lane. Lane finally manages to get rid of Fedora's father for a few hours and hiring a yacht they pick up a parson who for $5,000 and his trip home consents to go with them to America. Once outside the three-mile limit they are married under the laws of the United States.

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Louis, Count de Tavannes, and his companion, Dimitri, lead a gay life in Paris. On the return trip of a motor tour, they stop at an inn and discover Rosette, the daughter of the innkeeper, who dances for the guests, not from choice, but necessity. Dimitri suggests they take her to Paris. The patrons of the inn, jealous of the fashionably-attired young men and the attention paid them, raise a riot. During the uproar Rosette is taken to the motor and to Paris, where she goes to a hotel with Louis, her favorite of the two young men. During their breakfast the next morning, she learns from Louis' lips that he will not marry her. Remy, the faithful servant of the inn, has sought her out, grasps the situation, strikes Louis in the face and a fight ensues between the two men. Louis is discovered, bleeding and unconscious, and taken to the home of a young priest. Through the influence of the good men whom he has thus accidentally met, he enters the priesthood. Rosette secures a position as dancer in a café of the underworld in Paris, patronized by the rough element, and occasionally by the wealthy class in search of excitement. Dimitri is at this café, trying to induce Rosette to drink and dance, as Father Louis enters in search of a man whose wife is ill. The recognition is mutual, and none is so surprised as Dimitri. The latter plans an elaborate supper for himself and Rosette, and Louis interrupts them. As Louis uses his good influence for the girl, Dimitri is exerting a conflicting power, and Rosette bids them fight it out, "for God and my soul, or the devil and my body." With only their hands for weapons, the men go to battle, Louis with a righteous determination to win, and he does. He takes the girl to a convent, where she realizes her great love for Louis and a desire to live a pure life. Father Louis has won the love of the patrons of the café, and when the war is on and France calls for her men, he with his followers tries to defend the convent where Sister Rose Marie is. Mortally wounded, Sister Rose Marie falls across the dead body of the man she loves, and they are united in spirit, although their lives have been sacrificed in an attempt to save other souls, endeared to them.

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Maris, having married Lynch, a worthless man who deserts her, taking their daughter Felice with him, marries mill owner Dwight Alden after receiving notification that her husband and child are dead. Discovering that Alden employs child labor, Maris, assisted by the village minister, tries to persuade him that this is wrong, but he will tolerate no interference in his business. After violently denouncing Alden from the pulpit, the minister dies and Maris becomes interested in a child who has been injured while working overtime at the mill, only to discover that the child is her daughter and her first husband is still alive. She leaves, taking Felice, and Alden, after having a fight with the first husband, discovers that Lynch had secured a divorce. Alden seeks out Maris, tells her that he has abolished child labor and made other improvements affecting the welfare of his workers, and a reconciliation occurs.