Hidden Genre Gems In Alignment with the style of The Right of Way: ...

Dir: John Francis Dillon

Bored with her life as the daughter of wealthy parents, Corinne Chilvers answers an ad in the paper for a woman with a lurid past. Hired to secure a declaration of marriage from South American millionaire Nicholas Fenwick, Corinne assumes the identity of a masked dancer to attract Fenwick's attention. Competing with Corinne for Fenwick's affections is Pansy Hartley, a woman who actually does have a shady past. After a series of misadventures, Fenwick falls in love with Corinne, whose parents, scandalized by their daughter's escapades, disown her. Reporting to her employers that Fenwick has proposed to her, Corinne discovers that the young man is not a millionaire, but rather the object of a publicity stunt, which is aborted when Corinne and Fenwick really do get married. Fenwick then approaches Corinne's parents and persuades them to forgive their daughter for her scandalous behavior.

Dir: John Francis Dillon

A visual fragment from the archive: The thematic resonance of Limousine Life perfectly mirrors the editorial trajectory of our deep dive.

An amusing satire on the simple village maiden who comes to the great city and falls a victim to its alluring temptations.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: John Francis Dillon

A young lady, who "hates the law" rises from the tenements to society. Financial reverses lead her to commit a series of burglaries as "The Bird". She becomes involved with the detective investigating the burglaries. After she confesses and pays for her crimes, they marry.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: John Francis Dillon

When her husband, struggling lawyer Horace Dillingham, is unable to provide adequate money for her insatiable desire for expensive cherries, Kitty Dillingham goes to work as a stenographer for him. One day while Horace is out of the office, Kitty mistakes Jonas Collamore, a defendant in a divorce suit for whom Horace is acting, for an important client. Kitty agrees to lunch, and, swallowing many maraschino cherries along with their cocktails, becomes drunk. Jonas takes her to a nearby inn where they are followed by Mrs. Collamore's detectives, who then summon Mrs. Collamore and her lawyer Horace. Kitty realizes Jonas is trying to create a compromising situation, and she leaves through the window. When the detectives break in, the only trace of Kitty is her hairpin. Kitty and Jonas then conspire to entrap their spouses. Both couples manage to straighten out their domestic problems at the last minute.

Dir: John Francis Dillon

George Carter, a revolutionist in South America, is the exact double of Frederick Marston, a famous artist in Paris. Carter is betrayed by a comrade and is sentenced to be shot. He takes a desperate chance and escapes on board a vessel bound for London. In Paris Marston is stabbed by a model because he does not return her love. The wound incapacitates him from painting, and leaves an ugly scar, and he goes to America on a vacation. Highwaymen attack him, inflicting injuries which cause a total loss of memory. The robbers leave nothing in his pockets but the key to his Paris studio, and Marston adopts the name of Robert Anglo-Saxon. Five years later he falls in love with Duska Filson, a noted beauty, and at a dinner given by her he meets Gen. Robero, a South American ambassador, the man who condemned Carter to death. Robero believes Saxon is Carter and writes Saxon a letter warning him that if he marries Duska he will have Saxon extradited to South America and shot. Robero convinces him that he is Carter and Saxon goes to South America to pay the penalty of the crimes he believes himself guilty of. On the boat he meets Rodman, Carter's betrayer. Duska follows Saxon to South America and learns that Saxon has proven his innocence and departed two days before. She sends him a wireless and he has the ship stopped and lands at Puerto Frio, and learns that the revolution has broken out. In fighting his way through the lines he is shot and is placed on board a vessel bound for France by Rodman. Rodman tells Duska what has occurred and she follows Saxon to France. Saxon's mind clears and through the medium of the key which fits the lock of his house his identity is clearly established. Duska learns that Saxon is the world-renowned artist and his a wife who is very ill. When Saxon reaches his home he finds Duska at the bedside of his wife, who has just died. Duska respects Saxon's grief and departs, with her dream of happiness shattered.