Essential Cult Cinema Drawn from the Same DNA as The Thirteenth Hour: Cult Guide

Dir: Chester M. Franklin

A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of The Children in the House perfectly mirrors the editorial trajectory of our deep dive.

Roy Somerville has turned out an interesting story that will hold the interest of the majority of audiences as produced by the Triangle-Fine Arts Company. It is a five-reel feature produced under the direction of C.M. and S.S. Franklin,. Norma Talmadge stars as Cora, who is wed to Arthur Vincent (Eugene Pallette); they have two children. Vincent is a bank president's son who devotes much of his time to cabaret dancer Jane Courtenay, who is willing to have him devote his time to her as long as he is a good provider. The wife, who has been sadly neglected, turns to her sister, who is wed to young detective Fred Brown. His brother Charles, who works in the elder Vincent's bank as a cashier, lives with them. He was Cora's first love and has never quite recovered from the fact that she jilted him to wed Vincent because of his money. The cabaret dancer makes several demands on the young Vincent, who tries to borrow money from his father to meet them; failing to receive the loan, he agrees to help several friends of the cabaret charmer rob his father's bank. After the robbery Charles Brown is accused of the crime and arrested. But the robbers are discovered in their hiding place, and in escaping all but one is killed. Cora is left a widow and the natural supposition is that she and Charles were happily married afterward. Just where the title comes in is hard to say, but the picture, while not one of the best that has been produced at the Fine Arts, is one that will get by because of its great appeal to women.

Dir: Chester M. Franklin

The Japanese emperor's son Hanki Pan (Francis Carpenter) is in love with beautiful Fan Fan (Virginia Lee Corbin) and determined to marry her, although his father has decreed that he shall wed the Ancient and Honorable Lady Shoo, an ugly hag. Hanki Pan and Fan Fan elope and find employment as entertainers at the Wisteria Gardens. However, Lady Shoo and Fan Fan's rejected suitor, the Chief Executioner, follow in close pursuit and soon catch the young lovers. The Executioner plans to behead Hanki Pan, but when the emperor discovers the plot, he orders the villain to choose between the sword and marriage to Lady Shoo. Hanki Pan and Fan Fan are reunited, while Lady Shoo is happily wed.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of Fan Fan perfectly mirrors the editorial trajectory of our deep dive.

Jack exchanges his cow for some magic beans. The beans grow overnight into a beanstalk. Jack climbs it and arrives at a castle that is his. He sets a deal with the giant in exchange for the fortune.

Dir: Chester M. Franklin

A kind Dutch immigrant and her bumbling father are blackmailed by a gang of counterfeiters.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of Jack and the Beanstalk perfectly mirrors the editorial trajectory of our deep dive.

Edith Sturgis, the daughter of a judge, returns from studies abroad to find her widowed father remarried. The new Mrs. Sturgis does not reveal that she has a son Dick, once unjustly jailed by Judge Sturgis, but now working as a reporter while still maintaining an association with the Brownlow gang. Quarrelling with her stepmother, Edith leaves home, meets Dick and falls in love. While Dr. and Mrs. Allen (whom Edith met on the steamer) are visiting in the Sturgis home, the doctor's valuable radium is stolen from the safe, and Judge Sturgis is found murdered. Dick, though with Edith at the time, is accused of the crime. Finally, an old shoemaker confesses that he entered the house to steal the radium, with which to cure his crippled son, and witnessed the judge's slaying by the Brownlow gang. Dick is freed and finds happiness with Edith, and the doctor helps the crippled boy.

Dir: Chester M. Franklin

Following the death of her fiance and the birth of her baby, Dorothea, to avoid even the hint of a scandal, gives the child to her best friend Martha, who has arranged to have the infant raised by her old nurse. Soon, having kept her child a secret, Dorothea marries Deacon Hunt, while Martha becomes engaged to John. When unconscionable Sell Hawkins remembers having seen Martha bring the baby to the nurse, accuses her, before the church congregation, of being an unwed mother. Dorothea remains silent, and Martha, hoping to protect her friend, refuses to tell the truth about the child. Just as Martha's guilt seems assured, however, the child is brought to the church with an injury, and when a concerned Dorothea rushes to the infant, her actions and expression betray her own secret.

Dir: Tom Collins

A visual fragment from the archive: The thematic resonance of Gretchen the Greenhorn perfectly mirrors the editorial trajectory of our deep dive.

When the body of Wall Street broker Norman Temple is found dead in his office, the police arrest contractor James Borden for the crime on the testimony of Temple's secretary that Borden had threatened her employer over an unpaid note. Also under suspicion is Temple's Japanese valet, who quarreled with his employer the day before the murder. Tex, a detective, enters the case, following his own leads which prove the valet innocent. Tex finally deduces that Minkin, one of Temple's clerks, shot his employer when he interrupted the clerk robbing his safe. With Tex's revelation, Minkin's room is searched, the stolen bonds found and Borden is freed.

Dir: Chester M. Franklin

A young woman and her six little brothers and sisters are left orphans by the murder of their father over gold found on his ranch. Together the seven offspring fight against their greedy neighbors to keep what is rightfully theirs.

Dir: Charles Raymond

A magician helps outwit a Chinaman's gang.