Top-Tier Alternatives Exploring the Legacy of Yankee Don: Cult Guide

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Noel M. Smith

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Let Fido Do It perfectly mirrors the editorial trajectory of our deep dive.

Dir: Noel M. Smith

Paradise Alley is a street in a tough neighborhood in which every inhabitant has a grudge against every other one. Consequently the street is a constant battle field. Ruler of the street is the Big Boss. His slumbers are disturbed by the tumult and he appears at the door of his house and yells an order. Instantly the street is cleared. The Boss then goes to a beanery where a beautiful girl presides over the cash register. Around the corner a cop sleeps undisturbed by the constant fighting. As the Boss disappears, the combatants resume their fight. A "man of Mystery" gets in the way of several thrown vegetables and determines to stop the fracas as the Boss did. He goes to the restaurant, borrows the Boss' hat and goes out on the street. He is mistaken for the Boss and the fighters again disappear. The man of mystery then returns the hat, steals the Boss' cigar and disappears. Two or three harmless urchins come forth and play craps. The cop wakes up, seizes them, calls the patrol wagon and the urchins are hustled off to the lock-up. At the far end of the street is a mission. James, our hero is one of the congregation. He sits with wide-staring eyes. The minister gets nervous under his gaze and others the congregation grow restive. It is finally discovered that James has painted the eyes on his eyelids, thus enabling him to appear awake, while he is really sound asleep. He wakes up and in walking out, steals the poor-box. Outside he finds the Boss beating two crooks for stealing. James hurries back and replaces the poor-box. The pretty cashier sees this and extends her sympathy. A fat man is thrown out of the beanery. James and the man of mystery get into his clothes and go in to eat. James hides inside the suit and the man of mystery feeds him. The ruse is discovered and James is put to work in the kitchen. He manages to almost wreck the place. The Boss conspires with the mystery man to rob the restaurant. The Boss passes out the money from the cash register, but James accidentally gets it. The proprietor discovers the loss and pursues the man of mystery. James is required to still the noise of a German street band. He proves a target for all the vegetables thrown at the band. He acquires a soldier's uniform and puts them all to rout. He also helps regain the stolen money of the proprietor and thus proves himself a hit with the girl.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

A visual fragment from the archive: The thematic resonance of Squabs and Squabbles perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Noel M. Smith

Jimmy trips through the rain and mud, until he comes upon Dr. Nerve, who is coaxing his "canon hall express", in the form of a two-seater, to move on, Jimmy meets Kellie, the nifty nurse and flirts with her. He is chased from the hospital by Dr. Nerve. Wishing to be near the nurse, he tries to wreck himself, finally enters the hospital through the aid of one of the doctor's tools. Unable to cover the expense of his examination, he is forced to work it out. His novel way of treating the patients, and the final break with the doctor make a very humorous story. In the automobile chase that ensues, the police join in, and the picture fades out on the ambulance carrying Jimmy, after his collision with the other two cars.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.