
Margaret Fowler is a daughter of the city. Her mother, mean and avaricious, ground down to poverty, is willing to sacrifice her daughter's happiness and love for wealth and position.

H.S. Sheldon, W.S. Van Dyke
United States

I. The City as Predator and Confessional The film’s first tableau arrives like a slap of winter coal-smoke: a tracking shot that slithers past pushcarts, street urchins, and elec...
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Analysis & IMDb Ratings


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

E.H. Calvert

E.H. Calvert
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Further Reading
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A Daughter of the City (1920) Review: Silent-Era Masterpiece of Moral Intrigue