A spoiled young girl manages to snag a wealthy older man as her husband, but soon becomes bored. She finally leaves him, but doesn't really know what she wants.
body { background-color: #000; color: #fff; } .highlight { color: #C2410C; } .emphasis { color: #EAB308; } .note { color: #0E7490; }In the canon of silent cinema, certain films stand as testaments to the medium's capacity for nuanced storytelling and emotional depth. A Lost Lady (1925), adapted from Willa Cather's nove...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Harry Beaumont
Harry Beaumont
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"body { background-color: #000; color: #fff; } .highlight { color: #C2410C; } .emphasis { color: #EAB308; } .note { color: #0E7490; }In the canon of silent cinema, certain films stand as testaments to the medium's capacity for nuanced storytelling and emotional depth. A Lost Lady (1925), adapted from Willa Cather's novella of the same name and brought to life by the screenplay of Dorothy Farnum, is one such film. This cinematic endeavor presents a rich tapestry of themes, including the vacuity of..."
Willa Cather, Dorothy Farnum
United States
