
Returning home from boarding school for the Christmas holidays, Bab finds herself treated as a little girl while the family concentrates upon the impending wedding of her older sister Leila to Carter Brooks. To remedy the situation, Bab seizes upon a photograph of a matinee idol and invents her own suitor, Harold Valentine.

Margaret Turnbull, Martha D. Foster, Mary Roberts Rinehart
United States

There is a moment—wordless, of course—when Marguerite Clark’s Bab stands in the threshold of her family’s parlor, the gas-jets haloing her like a reluctant angel, and the entire film tilts on the fulcrum of her pupils. The camera dares not cut away; it lingers until the girlish smirk calcifies into something older tha...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

J. Searle Dawley

J. Searle Dawley
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" There is a moment—wordless, of course—when Marguerite Clark’s Bab stands in the threshold of her family’s parlor, the gas-jets haloing her like a reluctant angel, and the entire film tilts on the fulcrum of her pupils. The camera dares not cut away; it lingers until the girlish smirk calcifies into something older than sin. That flicker, no longer than a heartbeat, is why Bab’s Diary survives the compost heap of 1917 one-reelers to converse with us across the century. Adapted from Mary Roberts..."


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