
Lawrence Revel, celebrated in society circles for his success with women, is devoted to his son Dick and objects to his marrying Nellie, a cabaret dancer. To prove her unworthiness, Beau asks his son not to see her for 2 weeks.


Lawrence Revel’s parlor smells of bergamot and burnt mahogany; oil-lamps throw honeyed halos on nude statuettes while a Victrola bleeds out a waltz that nobody dances to anymore. Into this mausoleum of pleasures strides his son—lanky, star-eyed, clutching a girl whose dress shimmers like petrol on asphalt. The camera...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John Griffith Wray

Edward LeSaint
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" Lawrence Revel’s parlor smells of bergamot and burnt mahogany; oil-lamps throw honeyed halos on nude statuettes while a Victrola bleeds out a waltz that nobody dances to anymore. Into this mausoleum of pleasures strides his son—lanky, star-eyed, clutching a girl whose dress shimmers like petrol on asphalt. The camera, drunk on chiaroscuro, pans from Beau’s carnivorous smile to Dick’s trembling chin; in that single tilt, we know dynastic war has been declared. A tale stitched from poisoned sil..."
Louis Joseph Vance, Luther Reed
United States

