
Marion Taylor is secretary to Edward Mallory, a wealth Wall Street businessman. She supports her invalid brother Tommy, who has been told by his doctors that he has to go to the mountains for his health.


A nickelodeon cathedral in 1926 smelled of coal dust and orange peel; when the title card of Beyond the Rainbow flashed like a benediction, audiences were promised transcendence but handed a grenade with the pin half-pulled. Marion’s dilemma arrives inked in copperplate on a resignation letter: sell her body to keep ...

still_frame

still_frame

still_frame

still_frame

publicity

production_art

publicity

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Christy Cabanne

Christy Cabanne
Community
Log in to comment.
" A nickelodeon cathedral in 1926 smelled of coal dust and orange peel; when the title card of Beyond the Rainbow flashed like a benediction, audiences were promised transcendence but handed a grenade with the pin half-pulled. Marion’s dilemma arrives inked in copperplate on a resignation letter: sell her body to keep her brother’s lungs breathing rarified ozone, or gamble on a last-second ethical sleight-of-hand. The film, long buried in mislabeled cans, survives only because a projectionist in..."
Eustace Hale Ball, Christy Cabanne, Solita Solano, Loila Brooks
United States

