
Bunty Biggar, sister of Rab and Jeemy and daughter of Tammas, a stern church elder in a small Scottish village, subtly controls all three through diplomatic tactics. Jeemy confesses to having robbed a bank and begs his father to replace the money, which he does with money left with him for safekeeping by Susie Simpson, a spinster interested in Tammas.


p{margin:0 0 1.2rem}strong{color:#EAB308}.pullquote{border-left:4px solid #0E7490;margin:2rem 0;padding-left:1.2rem;font-style:italic;color:#EAB308} The Scottish silent cinema that survives often feels carved from basalt—grey, taciturn, Presbyterian to its marrow—yet Bunty Pulls the Strings flares like a heather fire,...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Reginald Barker

Reginald Barker
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" p{margin:0 0 1.2rem}strong{color:#EAB308}.pullquote{border-left:4px solid #0E7490;margin:2rem 0;padding-left:1.2rem;font-style:italic;color:#EAB308} The Scottish silent cinema that survives often feels carved from basalt—grey, taciturn, Presbyterian to its marrow—yet Bunty Pulls the Strings flares like a heather fire, sudden and bright against the moor. Shot in 1921, when Hollywood was busy polishing glamour to blinding sheen, this rural comedy pivots on a woman who never raises her voice above..."

Cullen Landis
Charles Kenyon, Graham Moffat, J.G. Hawks
United States


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