
New bride Winnie Davis wants to buy her husband Elmer a birthday present, but she can't because he insists that all household expenses be charged to him, and she doesn't want him finding out what she's buying him. She decides to make money by using the family car as a taxi, puts on a "chauferette" uniform and soon is attracting many new customers--mostly male.

L.V. Jefferson
United States

Unveiling the Enduring Charm of 'Charge It to Me' (1918): A Silent Era Gem on Autonomy and Affection Stepping back into the cinematic landscape of 1918, one encounters a fascinating array of narratives that, despite their silent nature, spoke volumes about the shifting societal mores of the era. Among these, L...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Roy William Neill

Roy William Neill
Community
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" Unveiling the Enduring Charm of 'Charge It to Me' (1918): A Silent Era Gem on Autonomy and Affection Stepping back into the cinematic landscape of 1918, one encounters a fascinating array of narratives that, despite their silent nature, spoke volumes about the shifting societal mores of the era. Among these, L.V. Jefferson's 'Charge It to Me,' brought to life on screen by director Roy William Neill (though uncredited in some records, Neill often collaborated with Fischer), stands out as..."

