While somewhat happily married, Walter Moore's eyes do stray from time to time, especially when Tessie McNab is within his eye-sight range. But while trying to just be helpful to a damsel-in-distress, Walter's jealous wife suspects there may be some hanky-panky involved.

Is Fight Night a hidden gem of the silent era? Short answer: No, it is a functional, mid-tier slapstick short that serves as a time capsule for 1920s domestic anxieties rather than a comedic revolution. It is for the silent film completist who finds joy in the specific rhythms of Mack Sennett-adjacent comedy, but it is...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Jefferson Moffitt

Eduardo Notari
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"Is Fight Night a hidden gem of the silent era? Short answer: No, it is a functional, mid-tier slapstick short that serves as a time capsule for 1920s domestic anxieties rather than a comedic revolution. It is for the silent film completist who finds joy in the specific rhythms of Mack Sennett-adjacent comedy, but it is certainly not for the modern viewer seeking a high-stakes narrative or sophisticated wit. This film works because of Billy Bevan's impeccable timing and the inherent chaos of the..."
Clarence Hennecke, Al Giebler, Nicholas T. Barrows, Margaret Houghton, Vernon Smith, Ewart Adamson
United States

