
Although she has a strong friendship with Abner, a hand on her father's farm, saucy Gladiola Bain loves only her father, until she meets vacationing Ned Williams, a self-described "idler" from the city. When their seemingly harmless flirtation develops into love, Gladiola refuses to obey her father's wishes that she give Williams up, and when Williams, after some hesitation, offers her a beautiful home and clothes, they elope to the city, where Williams arranges a mock marriage.

Mary Rider
United States

We open on a palette of ochre and sage, the frame itself seeming to smell of turned earth and bruised gladiola petals. Director Mary Rider—yes, the scenarist was a woman, whisper it to the chronicles—lets her camera loiter like a gossip in the furrows, catching the tremor of a hem, the swallow of a throat, the momen...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John H. Collins

John H. Collins
Community
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" We open on a palette of ochre and sage, the frame itself seeming to smell of turned earth and bruised gladiola petals. Director Mary Rider—yes, the scenarist was a woman, whisper it to the chronicles—lets her camera loiter like a gossip in the furrows, catching the tremor of a hem, the swallow of a throat, the moment when friendship tips into something too delicate to name. Warren Scott Moore’s Abner is the film’s still center, a man carved from hickory and reticence. Watch how he polishes ..."

