
Summary
At the dark heart of 'It Is the Law' lies a perverse architectural feat of vengeance, orchestrated by Albert Woodruff, a man whose rejection by the ethereal Ruth Allen curdles into a murderous obsession. Eschewing simple violence, Woodruff conceives a metaphysical erasure of his rival, Justin Victor, by engineering a macabre substitution. Upon discovering a biological mirror—a doppelgänger whose physical existence is merely a tool for Woodruff’s exit strategy—he commits a chilling homicide, effectively 'slaying' himself to ensure Victor’s judicial execution. The narrative unfolds as a grim study of legal fallibility, where the shadow of a dead man looms over a prison cell, until a chance encounter years later shatters the illusion of the grave. It is a proto-noir descent into the fragility of identity and the terrifying rigidity of circumstantial evidence.
Synopsis
Albert Woodruff is rejected by pretty Ruth Allen in favor of his friend, Justin Victor. Albert gets his revenge by faking his own death--by finding a man who looks just like him and killing him--then making it look like Justin murdered him. Justin is arrested, tried and convicted for Woodruff's "murder". Years later, however, after he's released from prison, he comes across Woodruff, who is very much alive. Complications ensue.
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