Albert Woodruff is rejected by pretty Ruth Allen in favor of his friend, Justin Victor. Albert gets his revenge by faking his own death--by finding a man who looks just like him and killing him--then making it look like Justin murdered him.


The year 1924 stood as a pivotal junction in the evolution of cinematic narrative, a period where the primitive visual language of the previous decade began to coalesce into a sophisticated, psychologically driven art form. It Is the Law, directed with a keen eye for the shadows of the human soul, represents a fascinat...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

J. Gordon Edwards

J. Gordon Edwards
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"The year 1924 stood as a pivotal junction in the evolution of cinematic narrative, a period where the primitive visual language of the previous decade began to coalesce into a sophisticated, psychologically driven art form. It Is the Law, directed with a keen eye for the shadows of the human soul, represents a fascinating intersection of the stage-bound melodrama and the burgeoning complexity of the crime thriller. While many contemporary audiences might overlook the silent era's capacity for in..."
De Sacia Mooers
Curtis Benton, Elmer Rice, Hayden Talbot
United States

