Summary
In the frantic, flicker-lit landscape of 1915, Bud Fisher’s 'Landing an Heiress' emerges as a satirical dissection of the American dream’s more mercenary underpinnings. The narrative follows a protagonist whose ambition is matched only by his clumsiness, navigating a social labyrinth where romance is merely a thin veneer for pecuniary gain. As the titular pursuit unfolds, Fisher employs a kinetic visual language that mirrors his comic strip origins, transforming the screen into a living panel of slapstick geometry. The plot oscillates between the high-stakes drawing rooms of the elite and the precarious physical environments where our hero's dignity is constantly under siege. It is not merely a chase for a dowry, but a choreographed descent into the absurdity of class aspirations, where the 'heiress' represents an unattainable, almost mythological prize within the constraints of a burgeoning cinematic medium.
Synopsis
