
Natalie Storm, a young woman struggling to support her mother and little sister through sweatshop labor, sees her mother die and her sister suffer for want of proper food and surroundings. This forces her to reject the proposal of Tom Chandler, a self-educated mining engineer who then sets out for South America to make his fortune.


There are silents that merely flicker, and then there is Love—a film that arrives like a bruise you keep pressing because the ache tells you you’re still alive. Directed by the under-sung Wesley Ruggles and released at that hinge-moment when the teens collapsed into the twenties, it is less a love story than an autop...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Wesley Ruggles

Harley Knoles
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" There are silents that merely flicker, and then there is Love—a film that arrives like a bruise you keep pressing because the ache tells you you’re still alive. Directed by the under-sung Wesley Ruggles and released at that hinge-moment when the teens collapsed into the twenties, it is less a love story than an autopsy of American aspiration, performed with a sewing needle instead of a scalpel. The City as Abattoir From the first iris-in, cinematographer Devereaux Jennings frames Manhattan a..."
Louise Glaum
Carol Kapleau, Louis Joseph Vance, H. Tipton Steck
United States

