Summary
Rhythmus 21 is a pioneering visual experiment that manipulates spatial perception through stark black-and-white rectangles, their rhythmic transitions evoking a kinetic ballet of form and void. Without narrative or human figures, Richter’s film becomes a meditation on motion, where the absence of organic elements forces the audience to confront the raw language of cinema itself. Each shift in the rectangles’ positions and layers creates an illusion of depth, panning, and perspective, crafting a silent symphony that challenges the viewer to find meaning in abstraction. The work’s genius lies in its simplicity: a grid of geometric precision that dissolves into fluidity, inviting comparisons to the mechanical rhythms of industrial modernism while remaining rooted in the purity of avant-garde experimentation.
Synopsis
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and white individually change from foreground to background and visa versa.
Director
Hans Richter
Deep Analysis
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