
In going for a doctor for her sick grandfather, Sally Castleton is detained at the toll-gates by John Derr. The old man dies and the villagers organize themselves into a band of night riders to break down the gates.

Albert S. Le Vino, John H. Collins
United States

The 1918 cinematic landscape was a period of profound transition, caught between the burgeoning artistry of the feature film and the lingering constraints of early nickelodeon tropes. In the midst of this evolution, Riders of the Night emerges as a strikingly visceral exploration of populist rage and domestic entrapm...

production_art


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John H. Collins

John H. Collins
Community
Log in to comment.
" The 1918 cinematic landscape was a period of profound transition, caught between the burgeoning artistry of the feature film and the lingering constraints of early nickelodeon tropes. In the midst of this evolution, Riders of the Night emerges as a strikingly visceral exploration of populist rage and domestic entrapment. Directed with a keen eye for atmospheric tension by John H. Collins and written by the prolific Albert S. Le Vino, this film transcends its melodramatic roots to offer a poign..."


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on John H. Collins