Summary
In a frenetic display of silent-era kineticism, Roll Along presents a high-stakes matrimonial sprint set against the rustic backdrop of the American South. The narrative centers on the escalating friction between Rastus Jones and Swanee Sam, two suitors whose shared fixation on the elusive Mandy transforms a romantic pursuit into a desperate navigational challenge. The stakes are crystallized in a singular, absurd decree: the first man to traverse the distance to the neighboring riverboat landing and return with a parson in tow shall secure Mandy’s hand in marriage. What follows is a picaresque sequence of slapstick hurdles and navigational mishaps, framed through the ubiquitous—and now deeply problematic—tradition of blackface performance. The film functions as a frantic exploration of rivalry, where the riverboat landing serves as a metaphorical gatekeeper to domestic stability, and the race itself becomes a breathless choreography of early 20th-century physical comedy.
Synopsis
Rastus Jones and Swanee Sam are rivals for the hand of Mandy. It is decided that the first suitor back with a parson from the neighboring riverboat landing will be the winner. (All performers are in black face.)
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