
Laline, a pretty young woman, falls in love with Dion, a young sculptor, but her mother wants her to marry a wealthy Englishman. Laline and Dion are visiting the gravesite of Laline's brother with a priest, and a cave-in traps the three in some long-abandoned underground barracks.


The Glyn Aesthetic: A Subterranean Crucible of PassionIn the pantheon of silent era cinema, few names evoke the same sense of scandalous sophistication as Elinor Glyn. With Six Days (1923), Glyn, alongside the astute pen of Ouida Bergère, crafts a narrative that is as much a psychological interrogation as it is a roman...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Brabin

Charles Brabin
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"The Glyn Aesthetic: A Subterranean Crucible of PassionIn the pantheon of silent era cinema, few names evoke the same sense of scandalous sophistication as Elinor Glyn. With Six Days (1923), Glyn, alongside the astute pen of Ouida Bergère, crafts a narrative that is as much a psychological interrogation as it is a romantic melodrama. The film, directed with a keen eye for spatial tension by Charles Brabin, transcends the typical 'thwarted lovers' trope by physically manifesting the internal press..."
Charles Clary
Ouida Bergère, Elinor Glyn
United States

