Ruth runs away from an abusive stepfather, who owns a circus, and takes the circus' trained elephant--her only friend--with her. She winds up in a Canadian logging camp and meets Paul, the enemy of the town bully, who also falls for Ruth.


The silent era was often characterized by its flirtation with the monumental, yet few films manage to balance the gargantuan physical presence of its stars with the delicate interiority of its human subjects quite like Soul of the Beast (1923). This is not merely a relic of a bygone cinematic grammar; it is a pulsati...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John Griffith Wray

Edgar Jones
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" The silent era was often characterized by its flirtation with the monumental, yet few films manage to balance the gargantuan physical presence of its stars with the delicate interiority of its human subjects quite like Soul of the Beast (1923). This is not merely a relic of a bygone cinematic grammar; it is a pulsating, frequently harrowing exploration of the blurred lines between the civilized and the feral. While many contemporary critics might dismiss such a premise—a girl and her elephant ..."
Vernon Dent
Ralph Dixon, C. Gardner Sullivan
United States


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