
Edward Andrews, a generous but fainthearted young man, loves Frances Raymond, who believes herself to be an incurable romantic. Edward realizes that Frances would love to be whisked off and romanced, but because he is too timid to abduct her himself, he hires Michael Rudder, a breezy young Irish reporter, to do the deed.

Julia Crawford Ivers, Robert Housum
United States

Plot Re-framed: Courtship as Contract, Affection as Cargo Imagine, if you will, a universe where Cupid subcontracts. Edward Andrews—milquetoast magnate in the making—doesn’t merely woo; he outsources seduction itself. The ledger of his longing balances on a single line-item: hire someone else to steal the woman he can...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Walter Edwards

Walter Edwards
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" Plot Re-framed: Courtship as Contract, Affection as Cargo Imagine, if you will, a universe where Cupid subcontracts. Edward Andrews—milquetoast magnate in the making—doesn’t merely woo; he outsources seduction itself. The ledger of his longing balances on a single line-item: hire someone else to steal the woman he cannot even bring himself to serenade. Enter Michael Rudder, ink-stained troubadour from Dublin via every newsroom that ever smelled of Turkish tobacco, a man who could sell sand in t..."


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