
Louis Racine has inherited great wealth and married famed singer Madelinette, whom he passionately loves. But Louis carries a pair of secrets: his wealth may be taken from him if a contradictory will is found, and his health is deteriorating from a disease which will slowly turn him into a grotesquely deformed figure.


A frostbitten fever dream shot through with gold leaf and guilt—Maurice Tourneur’s 1922 curio feels like Edgar Allan Poe hitchhiking through a Québec winter clutching a valentine. There’s a moment, roughly midway through The Lane That Had No Turning, when Agnes Ayres’ Madelinette lifts her soprano against a backdrop o...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Victor Fleming

Wilfred Lucas
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" A frostbitten fever dream shot through with gold leaf and guilt—Maurice Tourneur’s 1922 curio feels like Edgar Allan Poe hitchhiking through a Québec winter clutching a valentine. There’s a moment, roughly midway through The Lane That Had No Turning, when Agnes Ayres’ Madelinette lifts her soprano against a backdrop of moonlit pine; the sound you almost hallucinate is the soft pop of champagne bubbles freezing mid-air. It’s the film’s emotional meridian—everything afterwards slides toward the a..."

Lillian Leighton
Eugene Mullin, Gilbert Parker
United States


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