Summary
Karl Valentin, the mercurial journeyman of a cramped barber shop, drifts between the confines of his own disheveled cot and the grotesque demands of his clientele. The shop, a dimly lit chamber of clattering tools and stale perfume, becomes a stage for absurdist carnage. Valentin, whose own beard rivals those of his patrons, shirks the conventional duties of a haircutter, preferring the languor of sheets to the clamor of clippers. When he does engage, his methods betray a macabre ingenuity: he wields a hammer, a chisel, and a pair of pincers to extract boils as though they were stubborn pearls, transforms luxuriant locks into bald canvases with a single, decisive snip, and, in moments of theatrical excess, decapitates customers, their heads landing like grotesque trophies. The supporting cast—Annemarie Hase’s sardonic salon assistant, Carola Neher’s bewildered regular, Erwin Faber’s bemused observer, Hans Leibelt’s stoic overseer, Dr. Koch’s skeptical physician, Josef Eichheim’s hapless apprentice, Liesl Karlstadt’s witty confidante, Max Schreck’s ominous figure, Kurt Horwitz’s bureaucratic interloper, and Blandine Ebinger’s enigmatic patron—populate the narrative with a chorus of bewildered witnesses. Written by Valentin, Bertolt Brecht, and Erich Engel, the screenplay oscillates between slapstick cruelty and existential satire, rendering the barber’s chair a crucible where societal facades are shaved away, revealing the raw, often absurd, human condition.
Synopsis
Karl Valentin plays a journeyman in a barber shop who prefers to stay in bed than to take care of his (already heavily bearded) customers. When he's at work, he removes boils with hammer, chisel and pincers, turns long-haired men into skin-heads and chops off people's heads.
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