
While working in a large New York City department store, Linnie Randall expresses her desire for just one week of real pleasure. She is overheard by Garry Schuyler, the scion of an aristocratic family dressed as a humble mechanic, who decides to grant her wish.


The celluloid landscape of 1925 was often a battleground for the burgeoning American identity, a period where the rigid structures of the Gilded Age collided violently with the frantic, aspirational energy of the Jazz Age. The Price of Pleasure, directed by Edward Sloman, stands as a quintessential artifact of this e...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edward Sloman

Edward Sloman
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" The celluloid landscape of 1925 was often a battleground for the burgeoning American identity, a period where the rigid structures of the Gilded Age collided violently with the frantic, aspirational energy of the Jazz Age. The Price of Pleasure, directed by Edward Sloman, stands as a quintessential artifact of this era, weaving a tapestry of romantic idealism and brutal social realism. It is a film that demands we look past the veneer of the 'shop-girl' trope to witness the systemic cruelty in..."
George Fawcett
J.G. Hawks, Raymond L. Schrock, Elisabeth Sanxay Holding, Marion Orth
United States


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