John Wesley Pringle, adventurer at large, returns home after making his strike and finds his old girl friend, Stella, engaged to Christopher Foy, who is running for sheriff. Pringle foils an attempt by incumbent sheriff Matt Lisner to kill Foy, but when Foy is accused of a murder, Pringle, in a clever ruse, captures Foy, holds the posse at gunpoint, and then releases him, explaining his motive.


In the pantheon of early American cinema, specifically the burgeoning Western genre of the 1920s, few collaborations resonate with as much authentic grit as the union between actor Harry Carey and the prose of Eugene Manlove Rhodes. In The Wallop, directed by John Ford (credited as Jack Ford), we are treated to a nar...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John Ford

John Ford
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" In the pantheon of early American cinema, specifically the burgeoning Western genre of the 1920s, few collaborations resonate with as much authentic grit as the union between actor Harry Carey and the prose of Eugene Manlove Rhodes. In The Wallop, directed by John Ford (credited as Jack Ford), we are treated to a narrative that eschews the simplistic 'white hat vs. black hat' dichotomy in favor of something far more psychologically textured. This is not merely a tale of gunfights and gallantry..."

Harry Carey
Eugene Manlove Rhodes, George C. Hull
United States

