Summary
In this gritty continuation of the narrative established in 'The Red Rage', Billy Sullivan portrays an Australian ranch hand whose greatest enemy is not the law or the land, but his own volatile psyche. Finding himself in the dusty expanse of a new ranch, Billy attempts to bury his history of violence beneath the labor of the frontier. He finds a temporary anchor in a burgeoning romance with a local woman, yet the arrival of a manipulative rival threatens to dismantle his fragile peace. The film's tension peaks when Billy is goaded into a lethal confrontation where the traditional weapon of the West—the revolver—is offered as a solution to his rage. In a moment of profound internal conflict, Billy rejects the gun, opting instead for the intricate, lethal precision of his Australian whip. This choice serves as a symbolic rejection of the villain's cowardice, leading to a brutal thrashing that restores order but leaves the protagonist in a state of self-imposed exile. He apologizes for the chaos his nature inevitably brings and departs, a man still mastered by his own fire but unwilling to let it burn others.
Billy plays an Australian who has difficulty in controlling his fiery temper. It is in the nature of a sequel to "The Red Rage'' reference being made to the incidents covered by that subject. This number shows Billy getting a job on a ranch and falling in love with a girl. His jealousy leads him into a fight during which the villain tries to tempt him to use a gun. He conquers the impulse but becomes so enraged that he thrashes the villain, apologizes to the girl for creating a scene and leaves. He is shown as an expert with using an Australian whip instead of a gun as a weapon.
