Summary
A luminous wraith of dust-choked sunlight spills across the parched mesas as Louise—her skin still humming with the chill of the grave—signs away her youth to Joel Mazarine, a human ledger whose eyes glint like rusty nails. The wedding is less a sacrament than a foreclosure: every vow a lien, every kiss collateral. Days ossify into a regimen of thrift so vicious that even the ranch chickens seem to count their own feed. Then Orlando Guise arrives, all sweat-laced denim and outlaw charisma, his shoulder leaking gunpowder and possibility. While he convalesces, the house’s plank floors turn into sounding boards for forbidden heartbeats; Joel listens, beetle-browed, parsing the creak of desire the way a usurer tallies interest. A mare bolts, a fall, a forest dusk: Louise vanishes, and Joel’s accusation ricochets through the canyons. Orlando retrieves her half-dead beneath a lattice of pine needles, only to watch the old man unbuckle a belt thick as a saddle skirt. Enter Li Choo, the servant whose silences have accrued compound interest; in one crystalline moment of retribution he swaps a lifetime of servitude for a single, liberating blade thrust. Joel topples, a sack of unpaid debts. The law, blind as ever, cuffs Orlando, but Li Choo’s confession—spoken in a voice as soft as rice paper—shifts the moral axis, letting the lovers gallop toward a horizon no longer mortgaged.
Synopsis
Left penniless by her mother's death, pretty young Louise is forced to marry Joel Mazarine, a morose, miserly old man to whom she is in debt. Joel treats Louise cruelly, and she is miserable until she meets handsome young rancher Orlando Guise. When Orlando is compelled to stay at Joel's ranch to recuperate from a bullet wound, the old man angrily watches as the two young people fall helplessly in love. Later, Louise is injured while riding her pony in the woods, and when she fails to return home, Joel accuses Orlando of absconding with her. Orlando then finds Louise and takes her home, whereupon Joel beats her mercilessly. Louise's loyal servant, Li Choo, kills Joel, but Orlando is accused of the crime. Li Choo's confession, however, clears Orlando's name and leaves him free to marry Louise.
Review Excerpt
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The west that Beulah Marie Dix and Gilbert Parker conjure in Wild Youth is less a frontier than a debtor’s prison under an endless sky. Every cactus spine, every splintered corral rail, seems calibrated to remind Louise that the world is collateral held by a man who smells of kerosene and ledgers. Charles Ogle’s Joel Mazarine is a walking foreclosure notice; his cheekbones jut like the copper edges on a wanted poster, and when he fingers the cameo at Louise’s throat you half expect him to appr..."
