Summary
In the kinetic landscape of 1924, 'Young Oldfield' presents a frantic tableau of early automotive obsession and proletarian desperation. Jimmy, portrayed with limber dexterity by Charley Chase, is a protagonist ensnared in the intersection of romanticized velocity and cold capitalistic reality. While his psyche is perpetually adrift in fantasies of the speedway, his physical existence is tethered to a precarious small-business ownership. The narrative engine is ignited by a crushing temporal ultimatum: a mortgage payment looming like a guillotine at high noon. Failure to secure the funds signifies the dissolution of his livelihood. This temporal vice forces a synthesis of his racing delusions and the pragmatic necessity of transit, as he embarks on a desperate, high-velocity odyssey to outrun financial ruin. The film serves as a mechanical ballet, where the clattering of engines and the ticking of the clock create a polyphonic tension typical of the Hal Roach era's most sophisticated output.
Synopsis
Jimmy always fantasied about racing. But now he has to pay the mortgage before noon or else he won't own his shop any longer.
Director
Cast
