Summary
Valentin Turkin's *Zakroyshchik iz Torzhka* is a masterclass in absurdist Soviet cinema, distilling the existential chaos of sudden wealth within the rigid hierarchies of pre-revolutionary provincial life. The film’s protagonist, a tailor whose lottery windfall destabilizes the moral equilibrium of Torzhk, becomes a unwitting agent of social satire, his glee unraveling into farcical entanglements with petty bureaucrats, envious locals, and a wife whose aspirations outpace her husband’s sartorial skills. Turkin’s direction is a ballet of visual wit—clothing as metaphor, doorframes as comedic devices—while Igor Ilyinsky’s performance balances pathos and buffoonery, his physical comedy echoing the silent tradition of Chaplin but rooted in the claustrophobia of Soviet small-town life. The narrative eschews linear progression for a series of escalating farcical set pieces, each one peeling back the layers of greed and hypocrisy beneath the characters’ veneer of respectability. The film’s final act, a cacophony of miscommunication and misplaced trust, is both a critique of capitalist excess and a lament for the impossibility of true reinvention in a world defined by rigid social roles.
Synopsis
An silent comedy about a provincial tailor who won a lottery in the 1925 Soviet Union.
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