Deep Archive Finds Movies That Echo the Spirit of Das Laster: Cult ...

Dir: Richard Oswald

Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Jettchen Gebert's Story perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

A variation of the famous Oscar Wilde tale in which Dorian Gray's soul is manifested in a painting instead of his own body.

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Das Bildnis des Dorian Gray perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

The second syphilis film poses the moral question: namely how far an illness should be considered a human disgrace. The protagonist of this story, a young doctor, believes that only characterless people can contract the disease through reprehensible actions. At a meeting in honor of a venereologist, a violent dispute erupts between the doctor who applies moral categories and a colleague who argues more objectively. Two events make the dogmatic young doctor think: his sister marries a syphilitic who has not yet been completely healed, and he himself falls ill as a result of a kiss from a young woman who also suffers from syphilis. But the doctor is healed and reconsiders his previous attitude.

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Hampels Abenteuer perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

A visual fragment from the archive: The thematic resonance of Es werde Licht! 2. Teil perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

In ancient, Tsarist Russia. Fyodor Protasov's marriage to his wife Lisa is over. However, the Russian Orthodox Church does not approve of a divorce, and so Protasov fakes his own suicide, before Lisa move in with her lover Viktor Karenin. Fyodor himself becomes a "living corpse".

Dir: Richard Oswald

In order to win a bet, British gentleman Phileas Fogg attempts to circle the globe in eighty days, along with his French servant, Passepartout. Fogg is wrongly suspected of having robbed the Bank of England and faces the risk of arrest.