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Archivist John
Senior Editor
The 1916 release of The Children in the House redefined the parameters of cult storytelling, the narrative complexity found here is a rare find in the 1916 landscape. Prepare to discover your next favorite movie in our hand-picked collection.
Historically, The Children in the House represents to explore the darker corners of the human condition with cult status.
Roy Somerville has turned out an interesting story that will hold the interest of the majority of audiences as produced by the Triangle-Fine Arts Company. It is a five-reel feature produced under the direction of C.M. and S.S. Franklin,. Norma Talmadge stars as Cora, who is wed to Arthur Vincent (Eugene Pallette); they have two children. Vincent is a bank president's son who devotes much of his time to cabaret dancer Jane Courtenay, who is willing to have him devote his time to her as long as he is a good provider. The wife, who has been sadly neglected, turns to her sister, who is wed to young detective Fred Brown. His brother Charles, who works in the elder Vincent's bank as a cashier, lives with them. He was Cora's first love and has never quite recovered from the fact that she jilted him to wed Vincent because of his money. The cabaret dancer makes several demands on the young Vincent, who tries to borrow money from his father to meet them; failing to receive the loan, he agrees to help several friends of the cabaret charmer rob his father's bank. After the robbery Charles Brown is accused of the crime and arrested. But the robbers are discovered in their hiding place, and in escaping all but one is killed. Cora is left a widow and the natural supposition is that she and Charles were happily married afterward. Just where the title comes in is hard to say, but the picture, while not one of the best that has been produced at the Fine Arts, is one that will get by because of its great appeal to women.
The influence of Chester M. Franklin in The Children in the House can be felt in the way modern cult films handle cult status. From the specific lighting choices to the pacing, this 1916 release set a high bar for atmospheric immersion.
Based on the unique cult status of The Children in the House, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
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Rowena Jones attracts the attention of wealthy playboy William Vaughn, when trying on an expensive fur coat belonging to one of the guests at the hotel where she works as a hat check. Determined to marry a millionaire in order to alleviate her family's financial woes, Rowena accepts Vaughn's dinner invitation. That afternoon, while modeling at a fashion show, Rowena is attracted to a young man, but because he appears to be a poor chauffeur, she continues her pursuit of Vaughn. However, when Vaughn's wife appears at dinner, Rowena consents to go to a masked ball with her chauffeur. Arriving at the ball, she is pleasantly surprised to discover that her sweetheart is not a chauffeur but a millionaire, that meets her standard for a husband.
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A desert dancing girl fights to protect the French agent she loves.
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The little school ma'am has come out to a Western town from her home back in Virginia. The townspeople just can't help making life miserable for the little schoolteacher, and when a young playwright who happens to be from Virginia himself, arrives in the town and meets the lonely little teacher, old Mrs. Grundy just runs riot. To make matters worse, the young people go off for a ride and when they wander off to a spring to get a drink, the horse runs away,, so they must stay out in the woods all night. Then there is a crash, and the school teacher is summarily dismissed from her position.
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Jack exchanges his cow for some magic beans. The beans grow overnight into a beanstalk. Jack climbs it and arrives at a castle that is his. He sets a deal with the giant in exchange for the fortune.
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Sculptor Roger Heath realizes his new maid is possessed by the soul of his departed wife.
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The Japanese emperor's son Hanki Pan (Francis Carpenter) is in love with beautiful Fan Fan (Virginia Lee Corbin) and determined to marry her, although his father has decreed that he shall wed the Ancient and Honorable Lady Shoo, an ugly hag. Hanki Pan and Fan Fan elope and find employment as entertainers at the Wisteria Gardens. However, Lady Shoo and Fan Fan's rejected suitor, the Chief Executioner, follow in close pursuit and soon catch the young lovers. The Executioner plans to behead Hanki Pan, but when the emperor discovers the plot, he orders the villain to choose between the sword and marriage to Lady Shoo. Hanki Pan and Fan Fan are reunited, while Lady Shoo is happily wed.
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Millionaire Hamilton fakes death to test wife's loyalty. His wife and brother plot to kill his children for inheritance. Hamilton warns kids through Hansel and Gretel story. Wife overhears, realizes her evil plan. Family reunites.
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Following the death of her fiance and the birth of her baby, Dorothea, to avoid even the hint of a scandal, gives the child to her best friend Martha, who has arranged to have the infant raised by her old nurse. Soon, having kept her child a secret, Dorothea marries Deacon Hunt, while Martha becomes engaged to John. When unconscionable Sell Hawkins remembers having seen Martha bring the baby to the nurse, accuses her, before the church congregation, of being an unwed mother. Dorothea remains silent, and Martha, hoping to protect her friend, refuses to tell the truth about the child. Just as Martha's guilt seems assured, however, the child is brought to the church with an injury, and when a concerned Dorothea rushes to the infant, her actions and expression betray her own secret.
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The story of Aladdin and the Princess Badr al-badr's adventures as told through child actors.
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Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city. Arriving home, Jack discovers her and orders a beautiful new wardrobe for her. Jack's fiancée, Elizabeth, angered, recalls his parents from their trip, and while he is out buying flowers for Nancy, they persuade her that she can bring only unhappiness to their son. In her old garments she returns to the Kelly shack, where Jim Kelly tries to attack her; but Jack arrives to rescue her, and they are happily united.
View DetailsAnalysis relative to The Children in the House
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| You Never Can Tell | Tense | Dense | 89% Match |
| The Song of Love | Gritty | Dense | 98% Match |
| The Little School Ma'am | Gritty | Layered | 86% Match |
| Jack and the Beanstalk | Ethereal | Layered | 91% Match |
| All Souls' Eve | Tense | High | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Chester M. Franklin's archive. Last updated: 5/5/2026.
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