Summary
A Ringer for Dad serves as a quintessential specimen of the domestic farces that proliferated during the silent era, specifically showcasing the kinetic chemistry of Flora Parker DeHaven and Carter DeHaven. The narrative trajectory follows a daughter’s elaborate orchestration of a social ruse, wherein she must procure a surrogate to impersonate her father to appease external expectations or perhaps navigate a convoluted romantic entanglement. This cinematic short, penned by the seasoned duo of Ethel Foreman and Monte Brice, transcends its simple premise through a series of escalating misunderstandings and physical comedy beats. The 'ringer' in question becomes a vessel for exploring identity and the performative nature of familial roles in the early 20th century. Rather than a mere slapstick romp, the film utilizes the spatial limitations of the set to create a pressure cooker of social anxiety, resolved only through the DeHavens' impeccable timing and expressive pantomime. It is a study in the elasticity of the family unit, stretched to its breaking point by the demands of social decorum and the frantic energy of a daughter’s desperate gambit.
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